Description

Book Synopsis
This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition. Distributed for MercatorfondsExhibition Schedule:CENTRALE for contemporary art, Brussels (04/04/1908/04/19)

Sophie Whettnall at Work Agrarian Studies

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    A Paperback / softback by Emiliano Battista, Marina Abramovic, Carine Fol

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      Publisher: Yale University Press
      Publication Date: Publication Date: 07/05/2019
      ISBN13: 9780300233278, 978-0300233278
      ISBN10: 0300233272
      Also in:
      Exhibition catalogues and specific collections History of art Performance art

      Description

      Book Synopsis
      This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition. Distributed for MercatorfondsExhibition Schedule:CENTRALE for contemporary art, Brussels (04/04/1908/04/19)

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