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Book Synopsis
At a moment in which America seems simultaneously more closed and more open to change than ever before, Sons and Daughters of Self-Made Men: Improvising Gender, Place, Nation in American Literature re-examines a defining national discourse. Exploring the dilemmas of U.S. subjects positioned as inheritors—and thus as children—of the archetypal self-made Founder/Father, the author offers a critical re-evaluation of the trope of self-making as it is expressed in modern and contemporary American literature. She views "self-making" as a mode of simultaneous constriction and possibility, where the compulsion to perform to the national script leads to critical and creative forms of improvisation. In texts by Toni Morrison, William Faulkner, Ralph Ellison, Sandra Cisneros, John Edgar Wideman, and others, she finds self-making re-articulated with improvisational differences that suggest possibilities for an improvisational nation.

Trade Review
This book represents the best of contemporary scholarship: Carden explores pressing theoretical issues such as gender performance and nationhood in the context of solid analysis of literary works, and she renders her findings in a lively, engaging writing style that will be accessible to the average reader. Asking fundamental questions about culture and literature, this book will be a welcome addition to any collection.

Sons and Daughters of Self-Made Men: Improvising

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    A Paperback / softback by Mary Paniccia Carden

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      View other formats and editions of Sons and Daughters of Self-Made Men: Improvising by Mary Paniccia Carden

      Publisher: Bucknell University Press
      Publication Date: 07/03/2013
      ISBN13: 9781611485097, 978-1611485097
      ISBN10: 1611485096

      Description

      Book Synopsis
      At a moment in which America seems simultaneously more closed and more open to change than ever before, Sons and Daughters of Self-Made Men: Improvising Gender, Place, Nation in American Literature re-examines a defining national discourse. Exploring the dilemmas of U.S. subjects positioned as inheritors—and thus as children—of the archetypal self-made Founder/Father, the author offers a critical re-evaluation of the trope of self-making as it is expressed in modern and contemporary American literature. She views "self-making" as a mode of simultaneous constriction and possibility, where the compulsion to perform to the national script leads to critical and creative forms of improvisation. In texts by Toni Morrison, William Faulkner, Ralph Ellison, Sandra Cisneros, John Edgar Wideman, and others, she finds self-making re-articulated with improvisational differences that suggest possibilities for an improvisational nation.

      Trade Review
      This book represents the best of contemporary scholarship: Carden explores pressing theoretical issues such as gender performance and nationhood in the context of solid analysis of literary works, and she renders her findings in a lively, engaging writing style that will be accessible to the average reader. Asking fundamental questions about culture and literature, this book will be a welcome addition to any collection.

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