Description

Book Synopsis
This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.

Table of Contents
Contents: Into the Sublime Unknown: Writing Female Song in the 1800s – Archetype or Cliché? Goethe and the Child Singer Mignon in Wilhelm Meisters Lehrjahre – The Plight of the First Woman: Madame de Staël and the Female Performer in Corinne, ou l’Italie – Beyond the Canon: Singing Strategies in the Works of Caroline Auguste Fischer – Between Entgrenzung and Realism: The Romantic Twilight of E.T.A. Hoffmann and George Sand – Realistic Divas: The Singer in the Works of Balzac and Sophie Ulliac-Trémadeure – Finding a Female Narrative: Madame de Thélusson, Madame de Taunay and Marceline Desbordes-Valmore – Hoffmannesque Dénouements: The Nightmare of the Romantic Singer in Hector Berlioz’s Euphonia, ou la ville musicale.

Songbirds on the Literary Stage: The Woman Singer

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    A Paperback / softback by Peter Collier, Julia Effertz

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      Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
      Publication Date: 17/09/2015
      ISBN13: 9783034307345, 978-3034307345
      ISBN10: 3034307349

      Description

      Book Synopsis
      This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.

      Table of Contents
      Contents: Into the Sublime Unknown: Writing Female Song in the 1800s – Archetype or Cliché? Goethe and the Child Singer Mignon in Wilhelm Meisters Lehrjahre – The Plight of the First Woman: Madame de Staël and the Female Performer in Corinne, ou l’Italie – Beyond the Canon: Singing Strategies in the Works of Caroline Auguste Fischer – Between Entgrenzung and Realism: The Romantic Twilight of E.T.A. Hoffmann and George Sand – Realistic Divas: The Singer in the Works of Balzac and Sophie Ulliac-Trémadeure – Finding a Female Narrative: Madame de Thélusson, Madame de Taunay and Marceline Desbordes-Valmore – Hoffmannesque Dénouements: The Nightmare of the Romantic Singer in Hector Berlioz’s Euphonia, ou la ville musicale.

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