Description

Book Synopsis

Gustav Meyrink (18681932), best known as the author of The Golem (1915), experimented with the occult in a time rife with occult experimentation. As a seeker of esoteric truth, he practiced and wrote about elements of Western Esotericismalternative religious movements that pursued methods of tapping into secret spiritual wisdom that helped define the age. In doing so, Meyrink developed his own theories of salvation, which featured yoga as a means to open the door to supernatural and paranormal experience. In this way, his life, as well as his fiction, exemplifies liminality, existence on the margins. The core symbol of this liminal experience is the somnambulist: a figure existing between material and spiritual states of consciousness, having access to both yet belonging to neither. His oeuvre features characters entering trances, wandering the borders between waking and metaphysical worlds, gaining access to secret truths, and realizing salvation via a unio mystica. M

Trade Review
“In his conceptually engaging and well-written study, «Somnambulistic Lucidity», Eric J. Klaus portrays Gustav Meyrink’s development from a flamboyant outsider to a spiritualistic recluse and concentrates on his esoteric response to what Max Weber called the ‘disenchantment of the world.’ Quite in tune with anti-rationalist, spiritual and occultist movements of his time, Meyrink searched for non-traditional revelation and redemption and created, beyond the iconic «Golem» (1915), somnambulistic characters who claimed to have access to the beyond. While exploring such ideas and narratives runs the risk of giving in to the ideological subtext, Klaus avoids this danger by putting Meyrink’s occultism in the context of Yuri Lotman’s semiotic theory, with emphasis on the ‘semiospheres’ in the explosion of alternate meaning.” Hinrich C. Seeba, Professor Emeritus of German, University of California at Berkeley

Table of Contents

List of Figures – Foreword – Acknowledgments – Prelude: Of Sleepwalkers and Semiospheres – Gustav Meyrink—Living, Writing, and Searching on the Periphery – The Modern Condition and the Semiosphere of Religiosity – Interlude: The Somnambulist in the Semiosphere Modern Religiosity – The Early Works: Meister Leonard and Liminality – The Early Novels (1915–1917) – The Late Novels (1921–1927) – Coda: Consonance in Dissonance – Index.

Somnambulistic Lucidity

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    A Hardback by Eric J. Klaus, Eric J. Klaus

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      View other formats and editions of Somnambulistic Lucidity by Eric J. Klaus

      Publisher: Peter Lang Publishing Inc
      Publication Date: 1/24/2018 12:01:00 AM
      ISBN13: 9781433134920, 978-1433134920
      ISBN10: 1433134926

      Description

      Book Synopsis

      Gustav Meyrink (18681932), best known as the author of The Golem (1915), experimented with the occult in a time rife with occult experimentation. As a seeker of esoteric truth, he practiced and wrote about elements of Western Esotericismalternative religious movements that pursued methods of tapping into secret spiritual wisdom that helped define the age. In doing so, Meyrink developed his own theories of salvation, which featured yoga as a means to open the door to supernatural and paranormal experience. In this way, his life, as well as his fiction, exemplifies liminality, existence on the margins. The core symbol of this liminal experience is the somnambulist: a figure existing between material and spiritual states of consciousness, having access to both yet belonging to neither. His oeuvre features characters entering trances, wandering the borders between waking and metaphysical worlds, gaining access to secret truths, and realizing salvation via a unio mystica. M

      Trade Review
      “In his conceptually engaging and well-written study, «Somnambulistic Lucidity», Eric J. Klaus portrays Gustav Meyrink’s development from a flamboyant outsider to a spiritualistic recluse and concentrates on his esoteric response to what Max Weber called the ‘disenchantment of the world.’ Quite in tune with anti-rationalist, spiritual and occultist movements of his time, Meyrink searched for non-traditional revelation and redemption and created, beyond the iconic «Golem» (1915), somnambulistic characters who claimed to have access to the beyond. While exploring such ideas and narratives runs the risk of giving in to the ideological subtext, Klaus avoids this danger by putting Meyrink’s occultism in the context of Yuri Lotman’s semiotic theory, with emphasis on the ‘semiospheres’ in the explosion of alternate meaning.” Hinrich C. Seeba, Professor Emeritus of German, University of California at Berkeley

      Table of Contents

      List of Figures – Foreword – Acknowledgments – Prelude: Of Sleepwalkers and Semiospheres – Gustav Meyrink—Living, Writing, and Searching on the Periphery – The Modern Condition and the Semiosphere of Religiosity – Interlude: The Somnambulist in the Semiosphere Modern Religiosity – The Early Works: Meister Leonard and Liminality – The Early Novels (1915–1917) – The Late Novels (1921–1927) – Coda: Consonance in Dissonance – Index.

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