Description

Book Synopsis
An intimate look at American artist Sol LeWitt’s masterpiece of conceptual art, drawn on the walls of a medieval tower in Italy.

In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt’s major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt’s work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work.

A visual archive, this book situates LeWitt’s provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is noth

Sol LeWitts Studio Drawings in the Vecchia Torre

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    A Hardback by Rye Dag Holmboe

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      Publisher: MIT Press Ltd
      Publication Date: 25/04/2023
      ISBN13: 9780262047623, 978-0262047623
      ISBN10: 0262047624

      Description

      Book Synopsis
      An intimate look at American artist Sol LeWitt’s masterpiece of conceptual art, drawn on the walls of a medieval tower in Italy.

      In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt’s major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt’s work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work.

      A visual archive, this book situates LeWitt’s provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is noth

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