Description

For sociologists, making, distributing, and using art and cultural products constitute social practices, yet, sociologists disagree on how to investigate these practices. Organised around three main schools of thought â critical sociology, symbolic interactionism, and social systems theory â Sociology about Art serves as an introduction to, and a self-reflective discussion about, how sociologists study the Arts.

Providing a wide spectrum of approaches in art sociology, the book focuses on examining not only the famously cited theorists (notably Bourdieu, Becker, and Peterson) but also offers an overview of the sociologists who are often overlooked (Hennion, Heinich, Luhmann, and Van Maanen, among others). In presenting these various approaches, the crux of discussion concerns the status of art in sociological analyses. Following a critical assessment of the classical theories and assessing the risks of failing to observe the function of art, the authors contend that the

Sociology about Art

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    A Paperback by Sara Malou Strandvad

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      View other formats and editions of Sociology about Art by Sara Malou Strandvad

      Publisher: Taylor & Francis
      Publication Date: 12/2/2024
      ISBN13: 9781032632018, 978-1032632018
      ISBN10: 1032632011

      Description

      For sociologists, making, distributing, and using art and cultural products constitute social practices, yet, sociologists disagree on how to investigate these practices. Organised around three main schools of thought â critical sociology, symbolic interactionism, and social systems theory â Sociology about Art serves as an introduction to, and a self-reflective discussion about, how sociologists study the Arts.

      Providing a wide spectrum of approaches in art sociology, the book focuses on examining not only the famously cited theorists (notably Bourdieu, Becker, and Peterson) but also offers an overview of the sociologists who are often overlooked (Hennion, Heinich, Luhmann, and Van Maanen, among others). In presenting these various approaches, the crux of discussion concerns the status of art in sociological analyses. Following a critical assessment of the classical theories and assessing the risks of failing to observe the function of art, the authors contend that the

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