Description

Book Synopsis
Izabel Galliera is Assistant Professor of Art History in the Department of Art & Design at Susquehanna University in Pennsylvania, USA. Her research has been published in the Journal of Curatorial Studies and appears in the forthcoming collections Collaborating Now: Art in the Twenty First Century (2016) and Redefining Creativity: Multi-Layered Collaborations in Art and Art Historical Practice (2016).

Trade Review
Socially Engaged Art after Socialism is the first comprehensive scholarly treatment of the important new forms of socially engaged art that emerged in Central and Eastern Europe following the demise of the USSR. Its publication represents an important intervention in the emerging critical and theoretical debate around socially engaged art, and will allow us to further broaden the geopolitical scope of this important research. * Grant Kester, Professor of Art History, University of California, San Diego, USA and author of 'Conversation Pieces: Community and Communication in Modern Art' *

Table of Contents
List of Illustrations Acknowledgements Introduction 1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory 2. Civil Society, and Social, Cultural and Political Capital 3. Historical Antecedents: Participatory Art under Socialism, 1956–89 PART I FROM SECOND SOCIETY TO CIVIL SOCIETY 4. Civil Society in a Period of Post-Socialist Transition 5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art 6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions PART II FROM LOCALIZED PUBLIC SITES TO EU TRANSNATIONAL PUBLIC SPHERES 7. Place-Making: Framing Art in Public Spaces Curatorially 8. Representing Counterpublics in Bucharest, Budapest and Sofia 9. Contesting the Politics of Belonging in the Post-1989 EU Community PART III INSTITUTIONALIZED AND INSTITUTIONALIZING 10. Institutionalized Community Arts Programmes 11. Big Hope: Reviving Leftist Activism in Budapest 12. Self-Institutionalizing as Political Agency Conclusion Notes Bibliography Index

Socially Engaged Art after Socialism

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      Publisher: Bloomsbury Publishing PLC
      Publication Date: 07/04/2022
      ISBN13: 9781350276680, 978-1350276680
      ISBN10: 1350276685

      Description

      Book Synopsis
      Izabel Galliera is Assistant Professor of Art History in the Department of Art & Design at Susquehanna University in Pennsylvania, USA. Her research has been published in the Journal of Curatorial Studies and appears in the forthcoming collections Collaborating Now: Art in the Twenty First Century (2016) and Redefining Creativity: Multi-Layered Collaborations in Art and Art Historical Practice (2016).

      Trade Review
      Socially Engaged Art after Socialism is the first comprehensive scholarly treatment of the important new forms of socially engaged art that emerged in Central and Eastern Europe following the demise of the USSR. Its publication represents an important intervention in the emerging critical and theoretical debate around socially engaged art, and will allow us to further broaden the geopolitical scope of this important research. * Grant Kester, Professor of Art History, University of California, San Diego, USA and author of 'Conversation Pieces: Community and Communication in Modern Art' *

      Table of Contents
      List of Illustrations Acknowledgements Introduction 1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory 2. Civil Society, and Social, Cultural and Political Capital 3. Historical Antecedents: Participatory Art under Socialism, 1956–89 PART I FROM SECOND SOCIETY TO CIVIL SOCIETY 4. Civil Society in a Period of Post-Socialist Transition 5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art 6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions PART II FROM LOCALIZED PUBLIC SITES TO EU TRANSNATIONAL PUBLIC SPHERES 7. Place-Making: Framing Art in Public Spaces Curatorially 8. Representing Counterpublics in Bucharest, Budapest and Sofia 9. Contesting the Politics of Belonging in the Post-1989 EU Community PART III INSTITUTIONALIZED AND INSTITUTIONALIZING 10. Institutionalized Community Arts Programmes 11. Big Hope: Reviving Leftist Activism in Budapest 12. Self-Institutionalizing as Political Agency Conclusion Notes Bibliography Index

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