Description

Book Synopsis
Essays and stories on fashion, art, and culture in the New York of the 2010s.

We were supposed to meet Rose McGowan at Café d''Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn''t even read her Weinstein story… 
I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn''t feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn''t excited about what was being pitched to replace it. If we got all of it out in the open, what would we have left? My fear was that guilt would destroy the classics and there''d be no one left to fuck. All movies would be as low-budget and as puritanical as the stuff they play on Lifetime, all of New York would look like

Sleeveless

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    Order before 4pm today for delivery by Sat 11 Jul 2026.

    A Paperback by Natasha Stagg

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      Publisher: Semiotext (E)
      Publication Date: 1/8/2019
      ISBN13: 9781635900965, 978-1635900965
      ISBN10: 1635900964

      Description

      Book Synopsis
      Essays and stories on fashion, art, and culture in the New York of the 2010s.

      We were supposed to meet Rose McGowan at Café d''Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn''t even read her Weinstein story… 
      I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn''t feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn''t excited about what was being pitched to replace it. If we got all of it out in the open, what would we have left? My fear was that guilt would destroy the classics and there''d be no one left to fuck. All movies would be as low-budget and as puritanical as the stuff they play on Lifetime, all of New York would look like

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