Description

Book Synopsis
Longlisted for the 2020 BOCAS Prize for Caribbean Literature. A Telegraph Book of the Year 2019. Vahni Capildeo, author of Measures of Expatriation (Forward Prize, 2016), returns with a third Carcanet volume, Skin Can Hold. The collection marks an adventurous departure for a pen-and-paper poet. These texts are the fruit of collaborative experiments in theatre, dance and other performance, drawing on burlesque and mime as well as Capildeo's fascination with Caribbean masquerade. The poems are astir with voices and bodies usually kept `between the lines' of poetry: a weeping poltergeist disrupting the decorum of a lyric; polyglot workmen along an ivory-towercity road. Novels are turned inside out to become dramas of sleaze and surveillance.

Trade Review
'Capildeo is a demanding writer, someone who stretches the conventions of the lyric poem in unprecedented ways; [...] a direct and sensual poet, warmly intimate and very funny.' - David Wheatley, The Guardian; 'This is poetry that transforms. When people in the future seek to know what it's like to live between places, traditions, habits and cultures, they will read this. Here is the language for what expatriation feels like.' - Malika Booker [on Measures of Expatriation], Chair of the 2016 Forward Prize judging panel

Skin Can Hold

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Order before 4pm today for delivery by Mon 29 Dec 2025.

A Paperback / softback by Vahni Capildeo

15 in stock


    View other formats and editions of Skin Can Hold by Vahni Capildeo

    Publisher: Carcanet Press Ltd
    Publication Date: 30/05/2019
    ISBN13: 9781784107314, 978-1784107314
    ISBN10: 178410731X

    Description

    Book Synopsis
    Longlisted for the 2020 BOCAS Prize for Caribbean Literature. A Telegraph Book of the Year 2019. Vahni Capildeo, author of Measures of Expatriation (Forward Prize, 2016), returns with a third Carcanet volume, Skin Can Hold. The collection marks an adventurous departure for a pen-and-paper poet. These texts are the fruit of collaborative experiments in theatre, dance and other performance, drawing on burlesque and mime as well as Capildeo's fascination with Caribbean masquerade. The poems are astir with voices and bodies usually kept `between the lines' of poetry: a weeping poltergeist disrupting the decorum of a lyric; polyglot workmen along an ivory-towercity road. Novels are turned inside out to become dramas of sleaze and surveillance.

    Trade Review
    'Capildeo is a demanding writer, someone who stretches the conventions of the lyric poem in unprecedented ways; [...] a direct and sensual poet, warmly intimate and very funny.' - David Wheatley, The Guardian; 'This is poetry that transforms. When people in the future seek to know what it's like to live between places, traditions, habits and cultures, they will read this. Here is the language for what expatriation feels like.' - Malika Booker [on Measures of Expatriation], Chair of the 2016 Forward Prize judging panel

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