Description

Sister Carrie is a first novel by a woman writer possessing such an original voice and slashing, surrealistic wit that she is sure to take her place at the forefront of cutting-edge fiction writers. Carrie Meeber leaves her stifling Florida home for Chicago, where she enters the related fields of advertising and prostitution. As an unflappable narrator makes inquiries into her bizarre life, a cartoonish, hyperkinetic, blaring street world envelops the reader. Depraved characters parade themselves and their crass literary leanings; many keep journals, out of which Carrie is revealed with stylistic pyrotechnics. Fairbanks's scrappy, fantastic, debauched characters reveal themselves as well in hot rapid monologue and dialogue. There is something of Kathy Acker in Sister Carrie, something of Ronald Firbank, William Burroughs, Mark Leyner perhaps, even the Joyce of Finnegans Wake. (And Theodore Dreiser's Sister Carrie? revamped, accessorized, given riot grrrl attitude). But it is finally a tour de force from a young woman writer with a voice all her own and a sardonic world-view perfect for the irony-clad nineties.

Sister Carrie

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Paperback / softback by Lauren Fairbanks , Fairbanks Lauren

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Sister Carrie is a first novel by a woman writer possessing such an original voice and slashing, surrealistic wit that... Read more

    Publisher: Dalkey Archive Press
    Publication Date: 13/01/1994
    ISBN13: 9781564780706, 978-1564780706
    ISBN10: 1564780708

    Number of Pages: 208

    Fiction , Contemporary Fiction

    Description

    Sister Carrie is a first novel by a woman writer possessing such an original voice and slashing, surrealistic wit that she is sure to take her place at the forefront of cutting-edge fiction writers. Carrie Meeber leaves her stifling Florida home for Chicago, where she enters the related fields of advertising and prostitution. As an unflappable narrator makes inquiries into her bizarre life, a cartoonish, hyperkinetic, blaring street world envelops the reader. Depraved characters parade themselves and their crass literary leanings; many keep journals, out of which Carrie is revealed with stylistic pyrotechnics. Fairbanks's scrappy, fantastic, debauched characters reveal themselves as well in hot rapid monologue and dialogue. There is something of Kathy Acker in Sister Carrie, something of Ronald Firbank, William Burroughs, Mark Leyner perhaps, even the Joyce of Finnegans Wake. (And Theodore Dreiser's Sister Carrie? revamped, accessorized, given riot grrrl attitude). But it is finally a tour de force from a young woman writer with a voice all her own and a sardonic world-view perfect for the irony-clad nineties.

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