Description

Book Synopsis

This book uses the busts on the Chantrey Wall in the Ashmolean Museum to give an introduction to the remarkable career of Francis Chantrey (1781-1841), and the collection in the Ashmolean. The book charts the progress of the busts from Chantrey's workshop to a Victorian national treasure: the first monographic collection of British sculpture to become a part of a permanent museum collection. It follows the return of the busts from basement storage to their conservation and triumphant redisplay in the new building.

The book begins and ends with the Chantrey Wall, one of the most photographed displays of recent years providing non-specialist readers an introduction to one of the giants of British sculpture, and one of the most important sculpture collections in the country.



Table of Contents
Introduction; Sir Francis Chantrey (1781-1841); Chantrey'sModels: An 'Assemblage of Precious Objects'; Chantrey's Plasters: Display and Reputation; The Changing Fortunes ofthe Chantrey Collection in the Ashmolean; Reading Chantrey in the AshmoleanMuseum; Sources and Further Reading; Acknowledgements

Sir Francis Chantrey and the Ashmolean Museum

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    A Paperback / softback by M. G. Sullivan

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      View other formats and editions of Sir Francis Chantrey and the Ashmolean Museum by M. G. Sullivan

      Publisher: Ashmolean Museum
      Publication Date: Publication Date: 13/04/2016
      ISBN13: 9781854442598, 978-1854442598
      ISBN10: 1854442597

      Description

      Book Synopsis

      This book uses the busts on the Chantrey Wall in the Ashmolean Museum to give an introduction to the remarkable career of Francis Chantrey (1781-1841), and the collection in the Ashmolean. The book charts the progress of the busts from Chantrey's workshop to a Victorian national treasure: the first monographic collection of British sculpture to become a part of a permanent museum collection. It follows the return of the busts from basement storage to their conservation and triumphant redisplay in the new building.

      The book begins and ends with the Chantrey Wall, one of the most photographed displays of recent years providing non-specialist readers an introduction to one of the giants of British sculpture, and one of the most important sculpture collections in the country.



      Table of Contents
      Introduction; Sir Francis Chantrey (1781-1841); Chantrey'sModels: An 'Assemblage of Precious Objects'; Chantrey's Plasters: Display and Reputation; The Changing Fortunes ofthe Chantrey Collection in the Ashmolean; Reading Chantrey in the AshmoleanMuseum; Sources and Further Reading; Acknowledgements

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