Description
Book SynopsisSinging on the River by Igor Chabrowski, based on Sichuan boatmen’s work songs (haozi), explores the little known world of mentality and self-representation of Chinese workers from the late 19th century until the outbreak of the Second Sino-Japanese War (1937). Chabrowski demonstrates how river workers constructed and interpreted their world, work, and gender in context of the dissolving social, cultural, and political orders. Boatmen asserted their own values, bemoaned exploitation, and imagined their sexuality largely in order to cope with their low social status. Through studying the Sichuan boatmen we gain an insight into the ways in which twentieth-century nonindustrial Chinese workers imagined their place in the society and appropriated, without challenging them, the traditional values.
Table of ContentsAcknowledgements … VII List of Figures … VIII Introduction … 1 Part One: The Background Chapter One: The Social Origins of the Songs: The Eastern Sichuan Working Class, 1880s–1930s … 53 Chapter Two: The Sounds of the River … 106 Part Two: Social Spaces, Work, Gender, and Self-Perception Chapter Three: Mapping the River World … 135 Chapter Four: Where Do We Belong? Selfhood and Menial Work in Sichuan Society … 174 Chapter Five: On Women and Love … 218 Conclusion … 263 Bibliography … 269 Index … 296
