Description

Book Synopsis
This book introduces a practical approach to freer and morejoyful singing. Drawing its strength and inspiration fromGracia Ricardo''s work with Rudolf Steiner, it presents anyonewho wishes to sing, as well as professional singers, with a spiritualalternative to the mechanical and physical methods of voice trainingusually available today.The Ricardo method is based on the word. The first chapter dealswith the onset of the tone, its focus, the separation of word and tone,and listening for the word. The relation between vowels, consonants,words, and phrases is also dealt with. The second chapter goes on toconsider the voice, how to build and extend its range. The third chapterdevelops the idea of blending the vocal registers, placement,embellishments, resonance, and diction. Professional tips follow: onchoosing a program, stage fright, mood, and presence. Esoteric aspectsof music and singing are then dealt with in a special section.It is important that we sing. It is especially important

Singing and the Etheric Tone Gracia Ricardos Approach to Singing Based on Her Work with Rudolf Steiner

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    A Paperback by Dina Winter, Gina Palermo, Dina Winter

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      View other formats and editions of Singing and the Etheric Tone Gracia Ricardos Approach to Singing Based on Her Work with Rudolf Steiner by Dina Winter

      Publisher: Anthroposophic Press Inc
      Publication Date: Publication Date: 7/13/1994 12:00:00 AM
      ISBN13: 9780880103565, 978-0880103565
      ISBN10: 0880103566

      Description

      Book Synopsis
      This book introduces a practical approach to freer and morejoyful singing. Drawing its strength and inspiration fromGracia Ricardo''s work with Rudolf Steiner, it presents anyonewho wishes to sing, as well as professional singers, with a spiritualalternative to the mechanical and physical methods of voice trainingusually available today.The Ricardo method is based on the word. The first chapter dealswith the onset of the tone, its focus, the separation of word and tone,and listening for the word. The relation between vowels, consonants,words, and phrases is also dealt with. The second chapter goes on toconsider the voice, how to build and extend its range. The third chapterdevelops the idea of blending the vocal registers, placement,embellishments, resonance, and diction. Professional tips follow: onchoosing a program, stage fright, mood, and presence. Esoteric aspectsof music and singing are then dealt with in a special section.It is important that we sing. It is especially important

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