Description

Tal Ilan explores the way historical documents from antiquity are reworked and edited in a long process that ends in silencing the women originally mentioned in them. Many methods are used to produce this end result: elimination of women or their words, denigration of the women and their role or unification of several significant women into one. These methods and others are illuminated in this book, as it uses the example of the Jewish queen Shelamzion Alexandra (76-67 BCE) for its starting point. Queen Shelamzion was the only legitimate Jewish queen in history. Yet all the documents in which she is mentioned (Josephus, Qumran scrolls, rabbinic literature etc.) have been reworked so as to minimize her significance and distort the picture we may receive of her. Tal Ilan follows the ways this was done and in doing so she encounters similar patterns in which other Jewish women in antiquity were silenced, censored and edited out.

Silencing the Queen: The Literary Histories of Shelamzion and Other Jewish Women

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Hardback by Tal Ilan

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Tal Ilan explores the way historical documents from antiquity are reworked and edited in a long process that ends in... Read more

    Publisher: JCB Mohr (Paul Siebeck)
    Publication Date: 13/04/2006
    ISBN13: 9783161488795, 978-3161488795
    ISBN10: 3161488792

    Number of Pages: 330

    Non Fiction , ELT & Literary Studies , Education

    Description

    Tal Ilan explores the way historical documents from antiquity are reworked and edited in a long process that ends in silencing the women originally mentioned in them. Many methods are used to produce this end result: elimination of women or their words, denigration of the women and their role or unification of several significant women into one. These methods and others are illuminated in this book, as it uses the example of the Jewish queen Shelamzion Alexandra (76-67 BCE) for its starting point. Queen Shelamzion was the only legitimate Jewish queen in history. Yet all the documents in which she is mentioned (Josephus, Qumran scrolls, rabbinic literature etc.) have been reworked so as to minimize her significance and distort the picture we may receive of her. Tal Ilan follows the ways this was done and in doing so she encounters similar patterns in which other Jewish women in antiquity were silenced, censored and edited out.

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