Description

Book Synopsis
For more than fifty years, High Noon has been a touchstone in the popular imagination and a source of endless controversy about film art. On its release it was hailed as a masterpiece. But film historians and theorists have also reviled it almost from the beginning as pretentious social realism inspired by its screenwriter''s victimization by the red-hunting House Committee on Un-American Activities. Showdown at High Noon is the study of a film caught between popular admiration and critical disdain. In order to understand how and why High Noon has elicited such disparate reactions, author Jeremy Byman explores all of its elements, from its origins in the mind of blacklisted screenwriter Carl Foreman to its long-lasting impact on culture, American and otherwise. High Noon not only affected the westerns that followed it, but also changed filmmaking in fundamental ways. By analyzing its political, cultural, and thematic implications, Byman reveals how this one film has had such a profound and enduring influence, a long lasting impact that cannot be so easily dismissed. Includes 8 pages of photos.

Trade Review
Argues that High Noon was seminal in anticipating the "new," darker Western, and that the film's realist aesthetic was particularly undervalued by auteur critics...fundamentally evaluative... * CHOICE *
Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included.... * Reference and Research Book News *
Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious "social realism" inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included. * Reference and Research Book News *

Table of Contents
Part 1 Preface Part 2 Acknowledgments Part 3 Part I: The World of High Noon Chapter 4 1. Showdown Chapter 5 2. High Noon Enters Popular Legend Chapter 6 3. Independent Production and the Rise of Stanley Kramer Chapter 7 4. The Red Scare and the Blacklist Part 8 Part II: Communism and Conformity Chapter 9 5. Writing High Noon, Facing the Blacklist Chapter 10 6. The Failed Community Part 11 Part III: Westerns and Anti-Westerns Chapter 12 7. Formula and Subversion Chapter 13 8. High Noon and the End of the Western Part 14 Part IV: Auteurs, Critics, and Collaborative Filmmaking Chapter 15 9. Auteurs and Westerns Chapter 16 10. The Making of High Noon Part 17 Part V: The Film As Film Chapter 18 11. A Citizen Named Kane Chapter 19 12. Noir at High Noon Part 20 Bibliography Part 21 Index Part 22 About the Author

Showdown at High Noon

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    A Paperback by Jeremy Byman

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      View other formats and editions of Showdown at High Noon by Jeremy Byman

      Publisher: Rlpg/Galleys
      Publication Date: 6/14/2004 12:00:00 AM
      ISBN13: 9780810849983, 978-0810849983
      ISBN10: 0810849984

      Description

      Book Synopsis
      For more than fifty years, High Noon has been a touchstone in the popular imagination and a source of endless controversy about film art. On its release it was hailed as a masterpiece. But film historians and theorists have also reviled it almost from the beginning as pretentious social realism inspired by its screenwriter''s victimization by the red-hunting House Committee on Un-American Activities. Showdown at High Noon is the study of a film caught between popular admiration and critical disdain. In order to understand how and why High Noon has elicited such disparate reactions, author Jeremy Byman explores all of its elements, from its origins in the mind of blacklisted screenwriter Carl Foreman to its long-lasting impact on culture, American and otherwise. High Noon not only affected the westerns that followed it, but also changed filmmaking in fundamental ways. By analyzing its political, cultural, and thematic implications, Byman reveals how this one film has had such a profound and enduring influence, a long lasting impact that cannot be so easily dismissed. Includes 8 pages of photos.

      Trade Review
      Argues that High Noon was seminal in anticipating the "new," darker Western, and that the film's realist aesthetic was particularly undervalued by auteur critics...fundamentally evaluative... * CHOICE *
      Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included.... * Reference and Research Book News *
      Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious "social realism" inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included. * Reference and Research Book News *

      Table of Contents
      Part 1 Preface Part 2 Acknowledgments Part 3 Part I: The World of High Noon Chapter 4 1. Showdown Chapter 5 2. High Noon Enters Popular Legend Chapter 6 3. Independent Production and the Rise of Stanley Kramer Chapter 7 4. The Red Scare and the Blacklist Part 8 Part II: Communism and Conformity Chapter 9 5. Writing High Noon, Facing the Blacklist Chapter 10 6. The Failed Community Part 11 Part III: Westerns and Anti-Westerns Chapter 12 7. Formula and Subversion Chapter 13 8. High Noon and the End of the Western Part 14 Part IV: Auteurs, Critics, and Collaborative Filmmaking Chapter 15 9. Auteurs and Westerns Chapter 16 10. The Making of High Noon Part 17 Part V: The Film As Film Chapter 18 11. A Citizen Named Kane Chapter 19 12. Noir at High Noon Part 20 Bibliography Part 21 Index Part 22 About the Author

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