Description

Book Synopsis

A collection of essays on the work of Djuna Barnes, including her early journalism, poetry, prose, visual art, and drama.



Trade Review

Shattered Objects is an embarrassment of riches: Barnes and affect studies; Barnes and film studies; Barnes and animal studies; Barnes and queer studies. I could go on and on with its generous contributions, but let it be said that, for once and for all, this collection proves her to be a supreme modernist amongst her towering peers. Across these super-sharp pieces she now shines brightest in that grand constellation of twentieth-century experimental art.”

—Scott Herring,author of The Hoarders: Material Deviance in Modern American Culture


“With Shattered Objects, we at last get a full look at [Barnes’s] broad range of artistic achievements.”

—Megan N. Liberty Brooklyn Rail


Shattered Objects offers an invaluable revision of how we understand one of modernism’s most beguiling authors.”

—Peter Adkins The Modernist Review


“This handsomely-produced and carefully-assembled collection bespeaks a certain maturity in ‘Barnes studies,’ while also pulling off the trick of recognising that term’s problematic status, given the author’s mocking resistance to all that we associate with author studies: a consolidated academic community, a firm sense of literary periodicity, a relatively stable aesthetics stance, a coherent world-view.”

—Tim Armstrong Affirmations of the Modern


“Elizabeth Pender and Cathryn Setz’s wide-ranging collection ultimately reveals the ‘difficult’ Djuna Barnes to be the talented and versatile Djuna Barnes--a writer of sheer modernist multiplicity--about whom there will always be more to say.”

—Jade French Times Literary Supplement



Table of Contents

List of Illustrations

Acknowledgments

Introduction

Elizabeth Pender and Cathryn Setz

Part 1: Modernism in Print

1 Djuna Barnes on the Page

Alex Goody

2 Djuna Barnes’s Short Stories in A Night Among the Horses (1929) and Spillway (1962)

Elizabeth Pender

Part 2: Human and Beast

3 Nightwood ’s Humans

Rachel Potter

4 Djuna Barnes’s Creatures in an Alphabet: From A for Anecdotage to Z for Zoomancy

Bruce Gardiner

5 Djuna Barnes, Thelma Wood, and the Making of the Lesbian Modernist Grotesque

Joanne Winning

Part 3: Barnesean Style

6 The Critique of Modernist Wit: Djuna Barnes’s Nightwood

Drew Milne

7 “Trees of Heaven”: Djuna Barnes’s Late Metaphysical Verse

Cathryn Setz

8 “If Some Strong Woman”: Djuna Barnes’s Great Capacity for All Things Uncertain

Daniela Caselli

9 “The Havoc of Nicety”: Djuna Barnes’s Ryder and the Catastrophe of Epochal Change

Tyrus Miller

Part 4: Modernist Afterlives

10 Djuna Barnes: The Flower of Her Secret

Melissa Jane Hardie

11 Making Contact: Affect, Queer Historiography, and “Our Djuna”

Julie Taylor

Afterword

Peter Nicholls

Selected Bibliography

Elizabeth Pender

Notes on Contributors

Index

Shattered Objects Djuna Barness Modernism

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    A Hardback by Elizabeth Pender, Cathryn Setz

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      View other formats and editions of Shattered Objects Djuna Barness Modernism by Elizabeth Pender

      Publisher: Pennsylvania State University Press
      Publication Date: 04/02/2019
      ISBN13: 9780271082202, 978-0271082202
      ISBN10: 0271082208
      Also in:
      History of art

      Description

      Book Synopsis

      A collection of essays on the work of Djuna Barnes, including her early journalism, poetry, prose, visual art, and drama.



      Trade Review

      Shattered Objects is an embarrassment of riches: Barnes and affect studies; Barnes and film studies; Barnes and animal studies; Barnes and queer studies. I could go on and on with its generous contributions, but let it be said that, for once and for all, this collection proves her to be a supreme modernist amongst her towering peers. Across these super-sharp pieces she now shines brightest in that grand constellation of twentieth-century experimental art.”

      —Scott Herring,author of The Hoarders: Material Deviance in Modern American Culture


      “With Shattered Objects, we at last get a full look at [Barnes’s] broad range of artistic achievements.”

      —Megan N. Liberty Brooklyn Rail


      Shattered Objects offers an invaluable revision of how we understand one of modernism’s most beguiling authors.”

      —Peter Adkins The Modernist Review


      “This handsomely-produced and carefully-assembled collection bespeaks a certain maturity in ‘Barnes studies,’ while also pulling off the trick of recognising that term’s problematic status, given the author’s mocking resistance to all that we associate with author studies: a consolidated academic community, a firm sense of literary periodicity, a relatively stable aesthetics stance, a coherent world-view.”

      —Tim Armstrong Affirmations of the Modern


      “Elizabeth Pender and Cathryn Setz’s wide-ranging collection ultimately reveals the ‘difficult’ Djuna Barnes to be the talented and versatile Djuna Barnes--a writer of sheer modernist multiplicity--about whom there will always be more to say.”

      —Jade French Times Literary Supplement



      Table of Contents

      List of Illustrations

      Acknowledgments

      Introduction

      Elizabeth Pender and Cathryn Setz

      Part 1: Modernism in Print

      1 Djuna Barnes on the Page

      Alex Goody

      2 Djuna Barnes’s Short Stories in A Night Among the Horses (1929) and Spillway (1962)

      Elizabeth Pender

      Part 2: Human and Beast

      3 Nightwood ’s Humans

      Rachel Potter

      4 Djuna Barnes’s Creatures in an Alphabet: From A for Anecdotage to Z for Zoomancy

      Bruce Gardiner

      5 Djuna Barnes, Thelma Wood, and the Making of the Lesbian Modernist Grotesque

      Joanne Winning

      Part 3: Barnesean Style

      6 The Critique of Modernist Wit: Djuna Barnes’s Nightwood

      Drew Milne

      7 “Trees of Heaven”: Djuna Barnes’s Late Metaphysical Verse

      Cathryn Setz

      8 “If Some Strong Woman”: Djuna Barnes’s Great Capacity for All Things Uncertain

      Daniela Caselli

      9 “The Havoc of Nicety”: Djuna Barnes’s Ryder and the Catastrophe of Epochal Change

      Tyrus Miller

      Part 4: Modernist Afterlives

      10 Djuna Barnes: The Flower of Her Secret

      Melissa Jane Hardie

      11 Making Contact: Affect, Queer Historiography, and “Our Djuna”

      Julie Taylor

      Afterword

      Peter Nicholls

      Selected Bibliography

      Elizabeth Pender

      Notes on Contributors

      Index

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