Description
Book SynopsisShaping the Surface explores the history of modern British architecture through the lens of surface, materiality and decoration. Picking up on a trait that art historian Nikolaus Pevsner first identified as a national mania for beautiful surface quality', this book makes a new contribution to architectural history and visual culture in its detailed examination of the surfaces of British architecture from the middle of the 19th century up to the turn of the 21st century. Tracing this continuing sensibility to surface all the way through to the modern era, it explores how and why surface and materiality have featured so heavily in recent architectural tradition, examining the history of British architecture through a selection of key cultural moments and movements from Romanticism and the Arts and Crafts, to Brutalism, High-Tech, Post-Modernism, Neo-Vernacular, and the New Materiality. Embedded within the narrative is the question of whether such national characters can exist in
Table of ContentsIntroduction Chapter 1: Reading the wall-surface: John Ruskin, William Butterfield, and George Edmund Street Chapter 2: ‘Think first of the walls’: Surfaces of Romance – Morris, Webb, and the Arts and Crafts Domestic Interior Chapter 3: Smooth and Rough: George Frederick Bodley and Edward Schröder Prior Chapter 4: Carving the Surface: Edwardian and Inter-War Architecture and Sculpture Chapter 5: Surfaces and Sharawaggi: Aspects of the Picturesque c 1925-1955 Chapter 6: As-Found: Surfaces of Brutalism Chapter 7: Pattern, Abstraction, Post-Modernism: Lubetkin – Pasmore – Stirling Chapter 8: High-Tech, Neo-Vernacular, New Materiality: Richard Rogers – Ralph Erskine – Caruso St John Bibliography Index
