Description
Book SynopsisThis collective volume aims to highlight the philosophical and literary idea of apocalypse, within some key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, and not omitting theatre, cinema or music, there is a specific examination of the concepts of “end of history” and “end of present time“ as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which, however divergent and variegated it may be in general, converges on this specific myth in a surprising manner.
Trade Review“The volume should be of interest to specialists of nineteenth- and early twentieth-century Russian literature and the arts, the Eastern Orthodox Church, or Slavic spirituality in general. While there is great variation among the authors of the ten essays, they all address their genres from a religious or spiritual point of view. As a result, the reader will find some unexpected ‘reads’ of familiar works in the literary and arts sections and an interesting variety of opinions regarding Eastern Orthodoxy and apocalypse in the philosophy section.” —Sarah Predock Burke, Trinity University. Review published in
The Russian Review, January 2014 (Vol. 73, No. 1)
“For anyone concerned with or interested in the topic of the apocalypse in arts, literature and philosophy in Slavic culture this book would be invaluable and it is likely to become a primary reference source for future research in the study of religious concepts in general, and the apocalypse in particular.” — Ayse Dietrich, Middle East Technical University, Ankara, Turkey. Review published in the
International Journal of Russian Studies, January 2014.
