Description

Book Synopsis

Winner of the AEDEAN Enrique García Díez Literature Research Award 2023

Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in the companion volume, Shakespeare's Sublime Ethos. To do so, it examines Shakespeare's model of mutualistic character, in which entangled language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, Sublime Critical platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's subl

Trade Review

"Complex, far-ranging, at times dazzling, there is nothing really comparable to the sweep of this work"

- Clark Hulse, University of Illinois at Chicago

"This is a magnum opus in every sense of the word […] A thorough, indeed breath-takingly thorough knowledge of Shakespearean writing is everywhere in evidence"

- Andrew Hiscock, Bangor University


"Complex, far-ranging, at times dazzling, there is nothing really comparable to the sweep of this work"

--Clark Hulse, University of Illinois at Chicago

"This is a magnum opus in every sense of the word […] A thorough, indeed breath-takingly thorough knowledge of Shakespearean writing is everywhere in evidence"

--Andrew Hiscock, Bangor University

"Taken together, then, these two works on Shakespeare’s sublime [Shakespeare’s Sublime Ethos and Shakespeare’s Sublime Pathos] represent an outstanding contribution not only to Shakespeare studies, but more broadly to intellectual history. In seeking to make intelligible the seemingly inexplicable, Sell has succeeded in revealing the secrets of the apparent magic of the sublime."

--Rocío G. Sumillera, Universidad de Granada

"The powerful categorizing of the sublime’s coefficients is proof of Sell’s immense merit and designates this monograph as superior research destined to become seminal in Shakespeare studies."

--Zenón Luis-Martínez



Table of Contents

Introduction

Aims and "ethos"

Plan of the work

Chapter 1. The Conundrum of Character, the Sublime Mistook

Judith’s face

Ambiguity, realism, sublimity

Ambiguity, freedom, sublimity

Contemptus mundi

Chapter 2. Hollow Men

Liberal humanist character

Protean persons

The moral core

Freedom of choice?

Mutualistic character

Myriad minds

Chapter 3. Sympathetic Imagination

Sympathy and imagination

Psychology and phantasia

Passionate playgoing

Chapter 4. Language of Passion

Cause and effect

"Conceit deceitful"

Thought in progress

Botching words

Entangled, obscure, baroque

Chapter 5. The Mutualist’s Dividend

Going mad with Shakespeare

Transcendence?

"The sticking place"

General Conclusions

The Shakespearean sublime

Shakespeare’s originality

Enter perfection?

Letting in the daylight

Epilogue

Mechanical dreams

Orsino’s luck

Index

Shakespeares Sublime Pathos

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    Order before 4pm tomorrow for delivery by Tue 9 Jun 2026.

    A Paperback by Jonathan P. A. Sell

    1 in stock


      View other formats and editions of Shakespeares Sublime Pathos by Jonathan P. A. Sell

      Publisher: Taylor & Francis Ltd
      Publication Date: 1/9/2023 12:00:00 AM
      ISBN13: 9781032017952, 978-1032017952
      ISBN10: 1032017953

      Description

      Book Synopsis

      Winner of the AEDEAN Enrique García Díez Literature Research Award 2023

      Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in the companion volume, Shakespeare's Sublime Ethos. To do so, it examines Shakespeare's model of mutualistic character, in which entangled language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, Sublime Critical platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's subl

      Trade Review

      "Complex, far-ranging, at times dazzling, there is nothing really comparable to the sweep of this work"

      - Clark Hulse, University of Illinois at Chicago

      "This is a magnum opus in every sense of the word […] A thorough, indeed breath-takingly thorough knowledge of Shakespearean writing is everywhere in evidence"

      - Andrew Hiscock, Bangor University


      "Complex, far-ranging, at times dazzling, there is nothing really comparable to the sweep of this work"

      --Clark Hulse, University of Illinois at Chicago

      "This is a magnum opus in every sense of the word […] A thorough, indeed breath-takingly thorough knowledge of Shakespearean writing is everywhere in evidence"

      --Andrew Hiscock, Bangor University

      "Taken together, then, these two works on Shakespeare’s sublime [Shakespeare’s Sublime Ethos and Shakespeare’s Sublime Pathos] represent an outstanding contribution not only to Shakespeare studies, but more broadly to intellectual history. In seeking to make intelligible the seemingly inexplicable, Sell has succeeded in revealing the secrets of the apparent magic of the sublime."

      --Rocío G. Sumillera, Universidad de Granada

      "The powerful categorizing of the sublime’s coefficients is proof of Sell’s immense merit and designates this monograph as superior research destined to become seminal in Shakespeare studies."

      --Zenón Luis-Martínez



      Table of Contents

      Introduction

      Aims and "ethos"

      Plan of the work

      Chapter 1. The Conundrum of Character, the Sublime Mistook

      Judith’s face

      Ambiguity, realism, sublimity

      Ambiguity, freedom, sublimity

      Contemptus mundi

      Chapter 2. Hollow Men

      Liberal humanist character

      Protean persons

      The moral core

      Freedom of choice?

      Mutualistic character

      Myriad minds

      Chapter 3. Sympathetic Imagination

      Sympathy and imagination

      Psychology and phantasia

      Passionate playgoing

      Chapter 4. Language of Passion

      Cause and effect

      "Conceit deceitful"

      Thought in progress

      Botching words

      Entangled, obscure, baroque

      Chapter 5. The Mutualist’s Dividend

      Going mad with Shakespeare

      Transcendence?

      "The sticking place"

      General Conclusions

      The Shakespearean sublime

      Shakespeare’s originality

      Enter perfection?

      Letting in the daylight

      Epilogue

      Mechanical dreams

      Orsino’s luck

      Index

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