Description

Book Synopsis
Analysing Shakespeare's historical background and craft, Spencer's 1943 study investigates the intellectual debates of Shakespeare's age, and the effect these had on the drama of the time. The book outlines the key conflict present in the sixteenth century â the optimistic ideal of man's place in the universe, as presented by the theorists of the time, set against the indisputable and ever-present fact of original sin. This conflict about the nature of man, argues Spencer, is perhaps the deepest underlying cause for the emergence of great Renaissance drama. With detailed reference to Shakespeare's great tragedies, the book demonstrates how Shakespeare presents the fact of evil masked by the appearance of good. Shakespeare's last plays, especially The Winter's Tale and The Tempest, are also analysed in detail to show how they embody a different view from the tragedies, and the discussion is related to the larger perspective of general human experience.

Table of Contents
Preface; 1. Man in nature: the optimistic theory; 2. Man in nature: the Renaissance conflict; 3. The dramatic convention and Shakespeare's early use of it; 4. Hamlet and Troilus and Cressida; 5. Othello and King Lear; 6. Macbeth and Antony and Cleopatra; 7. Shakespeare's last plays; 8. Literature and the nature of man; Index.

Shakespeare and the Nature of Man Cambridge Library Collection Shakespeare and Renaissance Drama

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    A Paperback by Theodore Spencer

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      View other formats and editions of Shakespeare and the Nature of Man Cambridge Library Collection Shakespeare and Renaissance Drama by Theodore Spencer

      Publisher: Cambridge University Press
      Publication Date: Publication Date: 7/20/2009 12:00:00 AM
      ISBN13: 9781108003773, 978-1108003773
      ISBN10: 110800377X

      Description

      Book Synopsis
      Analysing Shakespeare's historical background and craft, Spencer's 1943 study investigates the intellectual debates of Shakespeare's age, and the effect these had on the drama of the time. The book outlines the key conflict present in the sixteenth century â the optimistic ideal of man's place in the universe, as presented by the theorists of the time, set against the indisputable and ever-present fact of original sin. This conflict about the nature of man, argues Spencer, is perhaps the deepest underlying cause for the emergence of great Renaissance drama. With detailed reference to Shakespeare's great tragedies, the book demonstrates how Shakespeare presents the fact of evil masked by the appearance of good. Shakespeare's last plays, especially The Winter's Tale and The Tempest, are also analysed in detail to show how they embody a different view from the tragedies, and the discussion is related to the larger perspective of general human experience.

      Table of Contents
      Preface; 1. Man in nature: the optimistic theory; 2. Man in nature: the Renaissance conflict; 3. The dramatic convention and Shakespeare's early use of it; 4. Hamlet and Troilus and Cressida; 5. Othello and King Lear; 6. Macbeth and Antony and Cleopatra; 7. Shakespeare's last plays; 8. Literature and the nature of man; Index.

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