Description
Book SynopsisContemporary performance is a particularly stimulating area for the study of how Shakespeare is produced and received in different cultural contexts. Francesca Clare Rayner's original and thought-provoking book highlights the diversity and experimentalism of contemporary performance practices through a focus on unexplored performances in Portugal. This book references key debates within contemporary performance studies on intermediality, globalization and political participation and analyses their particular configurations within the Portuguese context. These case studies represent clear alternatives to the market-driven view of the contemporary as the continual reproduction of the new and the topical for global consumers. Instead, they recast the contemporary as a site of disempowerment, crisis and erasure in a Europe fragmented by economic austerity, political divisions around Brexit, ecological vacillation and an anxious refashioning of global relations between North and South.
Table of ContentsPreface Chapter 1: Charting the Contemporary Chapter 2: Intermedial Collaborations: Teatro Praga’s Shakespeare Trilogy Chapter 3: Shakespeare and Cultural Memory: Shakespearean Traces in the Work of Tiago Rodrigues Chapter 4: Staging the Nation: Nuno Cardoso’s Political Shakespeares Chapter 5: Moving the audience: Christiane Jatahy’s
The Walking Forest Chapter 6: Shakespearean Travesties: Mala Voadora’s
Hamlet Chapter 7: Eco-critical Performance: Tonan Quito’s
Richard III Chapter 8: New Challenges for Contemporary Performance Criticism Bibliography Notes Index
