Description

Book Synopsis
A study of the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife. The fascinating book discusses opera, ballet, and classical symphony alongside musicals, film soundtracks and hip-hop.

Trade Review
"Shakespreare and Music is about afterlives, in quotations, borrowings, citations, adaptations, all of it after Shakespeare’s own lifetime. It is also about reception and interpretation, re-imagining, appropriation, in Verdi of course, Tchaikovsky, Liszt, and then on contemporary films, Duke Ellington, Billy Strayhorn. This is at once a learned book, an original contribution to learning, and a story that lovers of Shakespeare and music will enjoy and profit from. It is a real success: gracefully written, elegant, intelligent, witty."

David Bevington, University of Chicago



Table of Contents

Acknowledgements viii

Prelude 1

1 ‘All That Jazz’: Shakespeare and Musical Adaptation 11

2 Classical Shakespeares 29

3 ‘Shall we dance?’: Shakespeare at the Ballet 59

4 ‘Shakespeare with a contemporary musical twist’ 73

5 Shakespeare in the Opera House 96

6 Giuseppe Verdi and Benjamin Britten:

Case Studies in Shakespearean Opera 112

7 Symphonic Film Scores 135

8 ‘You know the movie song’:

Contemporary and Hybrid Film Scores 159

9 Contemporary Music and Popular Culture 182

Coda 194

Glossary of Musical Terms 198

Bibliography 202

Discography 214

Filmography 219

Index 221

Shakespeare and Music

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    A Hardback by Julie Sanders

    1 in stock

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 13/12/2007
      ISBN13: 9780745632964, 978-0745632964
      ISBN10: 0745632963

      Description

      Book Synopsis
      A study of the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife. The fascinating book discusses opera, ballet, and classical symphony alongside musicals, film soundtracks and hip-hop.

      Trade Review
      "Shakespreare and Music is about afterlives, in quotations, borrowings, citations, adaptations, all of it after Shakespeare’s own lifetime. It is also about reception and interpretation, re-imagining, appropriation, in Verdi of course, Tchaikovsky, Liszt, and then on contemporary films, Duke Ellington, Billy Strayhorn. This is at once a learned book, an original contribution to learning, and a story that lovers of Shakespeare and music will enjoy and profit from. It is a real success: gracefully written, elegant, intelligent, witty."

      David Bevington, University of Chicago



      Table of Contents

      Acknowledgements viii

      Prelude 1

      1 ‘All That Jazz’: Shakespeare and Musical Adaptation 11

      2 Classical Shakespeares 29

      3 ‘Shall we dance?’: Shakespeare at the Ballet 59

      4 ‘Shakespeare with a contemporary musical twist’ 73

      5 Shakespeare in the Opera House 96

      6 Giuseppe Verdi and Benjamin Britten:

      Case Studies in Shakespearean Opera 112

      7 Symphonic Film Scores 135

      8 ‘You know the movie song’:

      Contemporary and Hybrid Film Scores 159

      9 Contemporary Music and Popular Culture 182

      Coda 194

      Glossary of Musical Terms 198

      Bibliography 202

      Discography 214

      Filmography 219

      Index 221

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