Description
Book SynopsisShakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare''s achievement as an artist and thinker.
Table of ContentsContents Preface Notes on Contributors Introduction; P.Yachnin and J.Slights PART I: THEORY Confusing Shakespeare's Characters with Real People: Reflections on Reading in Four Questions; M.Bristol The Reality of Fictive Cinematic Characters; T.Ponech Character as Dynamic Identity: From Fictional Interaction Script to Performance; W.Dodd PART II: HISTORY Personnage : History, Philology, Performance; A.G.Bourassa The Properties of Character in King Lear ; J.Berg Embodied Intersubjectivity and the Creation of Early Modern Character; L.Lieblein PART III: PERFORMANCE Metatheater and the Performance of Character in The Winter's Tale ; P.Yachnin and M.W.Selkirk Character, Agency and the Familiar Actor; A.J.Hartley The Actor-Character in 'Secretly Open' Action: Doubly Encoded Personation on Shakespeare's Stage; R.Weimann PART IV: THEATRICAL PERSONS Is Timon a Character?; A.Dawson When is a bastard not a bastard? Character in King John ; C.Slights Arming Cordelia: Character and Performance; S.Werner Bibliography Index
