Description

Book Synopsis
In the 1980s - at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities - the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This volume presents a history of that movement.

Trade Review
Shades of Black is a remarkable document of creative thinking and archival importance. The editors have brought to life a decade rich in artistic experimentation and collaboration, which will shape the vision of artists and thinkers across generations and geographies.”—Homi K. Bhabha, Anne F. Rothenberg Professor of English and American Literature, Harvard University
Shades of Black is an invaluable text for anyone and everyone in diaspora studies, cultural studies, and comparative British and American studies and for historians and critics of visual art. It brings together a wide range of visual art with a superb collection of essays that set the historical and critical context for understanding one of the most vibrant moments in art history.”—Hazel V. Carby, author of Cultures in Babylon: Black Britain and African America
“The explosion of creativity and the critical debates on black culture that emerged in Britain in the 1980s transformed reigning assumptions about black art around the world. This collection is an important effort to assess the work of that period and its lasting impact.”—Coco Fusco, interdisciplinary artist and Associate Professor of Visual Arts, Columbia University

Table of Contents
Shades of Black: Assembling the 1980s / David A. Bailey, Ian Baucom, and Sonia Boyce xi
Part One. Texts
Assembling the 1980s: The Deluge—and After / Stuart Hall 1
The Success and Failure of the Black Arts Movement / Rasheed Araeen 21
Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond / Keith Piper 35
Inside the Invisible: For/Getting Strategy / Lubaina Himid 41
Iconography after Identity / Kobena Mercer 49
A to Y (Entries for an Inventory of Dented "I"s) / susan pui san lok 59
On Becoming at Artist: Algerian, African, Arab, Muslim, French and Black British? A Dialogue of Visibility / Zineb Sedira in collaboration with Jawad Al-Nawab 67
CoRespondents / Young Soon Min and Allan deSouza 77
Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic Cultural Commerce / Judith Wilson 89
Collaborative Projects: Toward a More Inclusive Practice / Dawoud Bey 103
Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism / Stan Abe 109
Choices for Black Arts in Britain over Thirty Years / Naseem Khan 115
A Case of Mistaken Identity / Gilane Tawadros 123
Color Plates 133
Part Two. The Conference
Conference Papers and Speakers 166
Dialogues / Jean Fisher 167
Part Three. Time Lines
Introduction / Adelaide Bannerman 199
Time Lines 210
Part Four. Recommended Readings
Introduction / Leon Wainwright 307
Histories and Positions 309
Visual Practices 312
Exhibitions and Displays 314
Institutions, Policies, and Reports 316
Contributors 319
Acknowledgments 327
Index 329

Shades of Black

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    A Hardback by David A. Bailey, Sonia Boyce, Ian Baucom

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      View other formats and editions of Shades of Black by David A. Bailey

      Publisher: Duke University Press
      Publication Date: 4/11/2005 12:00:00 AM
      ISBN13: 9780822334095, 978-0822334095
      ISBN10: 0822334097
      Also in:
      History of art

      Description

      Book Synopsis
      In the 1980s - at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities - the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This volume presents a history of that movement.

      Trade Review
      Shades of Black is a remarkable document of creative thinking and archival importance. The editors have brought to life a decade rich in artistic experimentation and collaboration, which will shape the vision of artists and thinkers across generations and geographies.”—Homi K. Bhabha, Anne F. Rothenberg Professor of English and American Literature, Harvard University
      Shades of Black is an invaluable text for anyone and everyone in diaspora studies, cultural studies, and comparative British and American studies and for historians and critics of visual art. It brings together a wide range of visual art with a superb collection of essays that set the historical and critical context for understanding one of the most vibrant moments in art history.”—Hazel V. Carby, author of Cultures in Babylon: Black Britain and African America
      “The explosion of creativity and the critical debates on black culture that emerged in Britain in the 1980s transformed reigning assumptions about black art around the world. This collection is an important effort to assess the work of that period and its lasting impact.”—Coco Fusco, interdisciplinary artist and Associate Professor of Visual Arts, Columbia University

      Table of Contents
      Shades of Black: Assembling the 1980s / David A. Bailey, Ian Baucom, and Sonia Boyce xi
      Part One. Texts
      Assembling the 1980s: The Deluge—and After / Stuart Hall 1
      The Success and Failure of the Black Arts Movement / Rasheed Araeen 21
      Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond / Keith Piper 35
      Inside the Invisible: For/Getting Strategy / Lubaina Himid 41
      Iconography after Identity / Kobena Mercer 49
      A to Y (Entries for an Inventory of Dented "I"s) / susan pui san lok 59
      On Becoming at Artist: Algerian, African, Arab, Muslim, French and Black British? A Dialogue of Visibility / Zineb Sedira in collaboration with Jawad Al-Nawab 67
      CoRespondents / Young Soon Min and Allan deSouza 77
      Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic Cultural Commerce / Judith Wilson 89
      Collaborative Projects: Toward a More Inclusive Practice / Dawoud Bey 103
      Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism / Stan Abe 109
      Choices for Black Arts in Britain over Thirty Years / Naseem Khan 115
      A Case of Mistaken Identity / Gilane Tawadros 123
      Color Plates 133
      Part Two. The Conference
      Conference Papers and Speakers 166
      Dialogues / Jean Fisher 167
      Part Three. Time Lines
      Introduction / Adelaide Bannerman 199
      Time Lines 210
      Part Four. Recommended Readings
      Introduction / Leon Wainwright 307
      Histories and Positions 309
      Visual Practices 312
      Exhibitions and Displays 314
      Institutions, Policies, and Reports 316
      Contributors 319
      Acknowledgments 327
      Index 329

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