Description
Book SynopsisTracing the rise and development of the Ghanaian video film industry between 1985 and 2010, this book examines video movies as seismographic devices recording a culture and society in turmoil. It also captures the process of film-making in Ghana.
Trade Review"A thoughtful and theoretically powerful study, culminating two decades of fieldwork and movie-watching, of mediatization and materialization... An important contribution to the anthropology of religion, of popular media, of invented tradition, and of the cultural formation of the senses and experience." Anthropology Review Database "A rich account... the most sustained and theoretically sophisticated treatment of Christian popular culture in Africa to emerge to date and an important contribution to studies of religion and media." American Ethnologist "A fascinating and engaged ethnography of a crucial period in the Ghanaian film world." Marginalia "...will be regarded as both foundational and pioneering across multiple disciplines for years to come... it is how [Meyer] evaluates and hypothesizes the development of this cultural movement that places her work at the forefront of interdisciplinary research in Africa." Material Religion
Table of ContentsList of IllustrationsPrefaceAbbreviations Introduction 1 * The Video Film Industry 2 * Accra, Visions of the City 3 * Moving Pictures and Lived Experience4 * Film as Revelation 5 * Picturing the Occult6 * Animation 7 * Mediating Traditional Culture Epilogue Notes ReferencesFilmographyIndex
