Description
Book SynopsisExtending his investigations into the nature and logic of art and history in the cultural world, Joseph Margolis here offers a sustained account of how selves and the cultural phenomena they generate (language, history, action, art) can be viewed as just as "real" as physical nature.
Trade Review“This book [presents] a bold and eloquent defense of ‘cultural realism’. . . as this applies to the arts and, in lesser degree, history and literature. Throughout, major epistemological and metaphysical issues—especially those raised by the artwork (e.g., its ontological status, its referential powers, holism, its constative claims, etc.)—are addressed, with ingenious and intriguing solutions offered, fresh at every turn. . . . A distinctive contribution of this book is its catholicity of outlook, which allows Margolis to draw upon and merge the best insights of both analytical and continental traditions in philosophy. There is no one in today’s philosophical world who has a comparable mastery of both of these often antithetical traditions—and who is able to combine them so skillfully and creatively. . . . The result is a book that will be of broad appeal to practitioners and students of both schools of philosophical thought. . . . No other book combines such an effective critique of the views of others in aesthetics and the humanities generally with such an original point of view as his own.”
—Edward S. Casey,SUNY, Stony Brook
“This is a truly thought provoking and surprisingly easily understood text that should be read by not only philosophers, but artists and historians as well.”
—Tim Fife Design Issues: A Journal of History, Theory, and Criticism
