Description

Book Synopsis
Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. -- .

Trade Review
The books have ... Trodd further projection in a deep historical perspective , an approach that gives great critical interest -- .

Table of Contents

List of figures
Notes on contributors
Introduction: theorising the projected image (Tamara Trodd)
Part I HISTORIES
1. Rooms of our time: László Moholy-Nagy and the stillbirth of multi-media museums (Noam M. Elcott)
2. ‘Museum’ and ‘festival’ in modernist histories of film (Maxa Zoller)
3. The matter of illusionism: Michael Snow’s screen/space (Kate Mondloch)
Part II SCREEN
4. Projecting symptoms (Joanna Lowry)
5. You’ve got me under your spell: the entranced spectator (Maria Walsh)
6. Screen eroticisms: exploring female desire in the work of Carolee Schneemann and Pipilotti Rist (Amelia Jones)
Part III SPACE
7. Windows in the white cube (Andrew V. Uroskie)
8. Inside the film machine: architecture and apparatus in British women’s film since the 1990s (Tamara Trodd)
9. The projective shift between installation art and new media art: from distantiation to connectivity (Christine Ross)
Index

ScreenSpace

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    A Paperback / softback by Tamara Trodd

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      Publisher: Manchester University Press
      Publication Date: Publication Date: 01/04/2011
      ISBN13: 9780719084638, 978-0719084638
      ISBN10: 719084636

      Description

      Book Synopsis
      Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. -- .

      Trade Review
      The books have ... Trodd further projection in a deep historical perspective , an approach that gives great critical interest -- .

      Table of Contents

      List of figures
      Notes on contributors
      Introduction: theorising the projected image (Tamara Trodd)
      Part I HISTORIES
      1. Rooms of our time: László Moholy-Nagy and the stillbirth of multi-media museums (Noam M. Elcott)
      2. ‘Museum’ and ‘festival’ in modernist histories of film (Maxa Zoller)
      3. The matter of illusionism: Michael Snow’s screen/space (Kate Mondloch)
      Part II SCREEN
      4. Projecting symptoms (Joanna Lowry)
      5. You’ve got me under your spell: the entranced spectator (Maria Walsh)
      6. Screen eroticisms: exploring female desire in the work of Carolee Schneemann and Pipilotti Rist (Amelia Jones)
      Part III SPACE
      7. Windows in the white cube (Andrew V. Uroskie)
      8. Inside the film machine: architecture and apparatus in British women’s film since the 1990s (Tamara Trodd)
      9. The projective shift between installation art and new media art: from distantiation to connectivity (Christine Ross)
      Index

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