Description
Book SynopsisThis collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using postfeminist as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s onas a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this vo
Trade ReviewThe blurring of the line between television and motion pictures is one of the paradigmatic shifts in popular culture in the 21st century. Viewers use numerous devices to access programming and often care little about the origins of the material. This reality serves Screening Images of American Masculinity in the Age of Postfeminism well, as Abele (English, SUNY Nassau Community College) and Gronbeck-Tedesco (American studies, Rampapo College of New Jersey) demonstrate how postfeminism, along with queer studies and masculinity studies, have used popular culture to critique media and society. The 12 essays…in this volume treat Robin Williams and Will Smith, the Bourne films, The Avengers, The Wrestler, and Kick-Ass and the television shows Firefly, Fraiser, Nip/Tuck, Boston Legal, Mad Men, Dexter, Miami Vice, and Breaking Bad. Perhaps due to television’s extended period of character development, the essays on that medium are particularly strong in illustrating the complicated constructs of masculinity in contemporary US culture. The editors provide an adequate discussion of the theoretical messiness of the term “postfeminism.” These essays allow the reader to grasp how 21st-century depictions of masculinity can be both misogynistic and protofeminist, heteronormative and bro-romantic, reactionary and sensitive—often at the same time. Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals. * CHOICE *
Table of ContentsScreening Images of American Masculinity in the Age of Postfeminism List of Illustrations Introduction: Liberating American Masculinity Elizabeth Abele Recovering Masculinities 1: Fashioning Flexibility: Racial Neoliberalism and the Vicissitudes of Masculinity Michael Litwack 2: “Any closer and you’d be Mom”: The Limits of Post-Feminist Paternity in the Films of Robin Williams Katie Barnett 3: Rethinking the Nation and the Body Politic: The Wrestler and the Demise of American Exceptionalism John A. Gronbeck-Tedesco 4: The Bourne Refusal: Changing the Rules of the Game Mary T. Hartson Masculinities for Men and Women 5: Subverting the Master’s Hero: Firefly’s Malcolm Reynolds as a New Kind of Space Cowboy Laura L. Beadling 6: When Eleven Year-Olds Kick-Ass: Hit-Girl as Role Model or Victim? Keith Friedlander Negotiated Masculinities 7: “I’m listening”: Analyzing the Masculine Example of Frasier Crane Dustin Gann 8: Hanging With the Boys: Homosocial Bonding and Bromance Coupling in Nip/Tuck and Boston Legal Pamela Hill Nettleton 9: Some Assembly Required: Joss Whedon’s Bridging of Masculinities in Marvel Films’ The Avengers Derek S. McGrath Loving Anti-Heroes 10: The Agency of Nostalgia in Mad Men Maureen McKnight 11: “Out Like a Man”: Straddling the Postfeminist Fence in Dexter and Breaking Bad Brenda Boudreau 12: Last Men Standing: Will Smith as the Obsolete Patriarchal Male Elizabeth Abele
