Description

Book Synopsis
Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus. Ultimately, this book demonstrates that Scorsese’s cinematic “re-presentation” of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his “whole life” had been “movies and religion,” cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art.

Table of Contents
 Acknowledgements  List of Illustrations  Notes on Contributors  Introduction  Christopher B. Barnett and Clark J. Elliston Part 1: Scorsese and Catholicism  1 The Catholic Scorsese – or How a Seminarian Turned to the Movies  Marc Raymond  2 No Way Out: Martin Scorsese and the Ecclesial Imagination  Guerric DeBona,osb Part 2: Religious Influences and Themes in Scorsese’s Cinema  3 Dostoevskian Elements in Scorsese’s Cinema  Christopher B. Barnett  4 The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero  John McAteer  5 Violence and Redemption in Scorsese’s Films: A Girardian Reading  Cari Myers  6 Scorsese as a Critic of Modernity: The Woman Question  M. Gail Hamner Part 3: Scorsese and Religion: A Selective Filmography  7 The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints  Rhonda Burnette-Bletsch  8 Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma  Kerry P.C. San Chirico  9 Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead  Gerard Loughlin  10 Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island  Stephen Mulhall  11 Reinventing Human Experience: Hugo and the Theological Possibilities of Film  Clark J. Elliston  12 The Wolf of Wall Street and Economic Nihilism  D. Stephen Long  13 The Global Afterlives of Silence  Darren J.N. Middleton and Mark W. Dennis  Index of Bible References  Index of Names and Subjects

Scorsese and Religion

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    A Hardback by Christopher B. Barnett, Clark J. Elliston

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      View other formats and editions of Scorsese and Religion by Christopher B. Barnett

      Publisher: Brill
      Publication Date: 19/09/2019
      ISBN13: 9789004411371, 978-9004411371
      ISBN10:

      Description

      Book Synopsis
      Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus. Ultimately, this book demonstrates that Scorsese’s cinematic “re-presentation” of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his “whole life” had been “movies and religion,” cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art.

      Table of Contents
       Acknowledgements  List of Illustrations  Notes on Contributors  Introduction  Christopher B. Barnett and Clark J. Elliston Part 1: Scorsese and Catholicism  1 The Catholic Scorsese – or How a Seminarian Turned to the Movies  Marc Raymond  2 No Way Out: Martin Scorsese and the Ecclesial Imagination  Guerric DeBona,osb Part 2: Religious Influences and Themes in Scorsese’s Cinema  3 Dostoevskian Elements in Scorsese’s Cinema  Christopher B. Barnett  4 The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero  John McAteer  5 Violence and Redemption in Scorsese’s Films: A Girardian Reading  Cari Myers  6 Scorsese as a Critic of Modernity: The Woman Question  M. Gail Hamner Part 3: Scorsese and Religion: A Selective Filmography  7 The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints  Rhonda Burnette-Bletsch  8 Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma  Kerry P.C. San Chirico  9 Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead  Gerard Loughlin  10 Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island  Stephen Mulhall  11 Reinventing Human Experience: Hugo and the Theological Possibilities of Film  Clark J. Elliston  12 The Wolf of Wall Street and Economic Nihilism  D. Stephen Long  13 The Global Afterlives of Silence  Darren J.N. Middleton and Mark W. Dennis  Index of Bible References  Index of Names and Subjects

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