Description
Book SynopsisScience and Religion have been two major elements in the building of modern nation-states. While contemporary historiography of science has studied the interactions between nation building and the construction of modern scientific and technological institutions, science-and-religion is still largely based on a supposed universal historiography in which global notions of science and of religion are seldom challenged.
This book explores the interface between science, religion and nationalism at a local level, paying attention to the roles religious institutions, specific confessional traditions, or an undefined notion of religion played in the construction of modern science in national contexts: the use of anti-clerical rhetoric as scapegoat for a perceived scientific and technological backwardness; the part of religious tropes in the emergence of a sense of belonging in new states; the creation of invented traditions that included religious and scientific myths so as to promote
Table of Contents
1. Introduction. Science, Religion and Nationalism, or the entanglement of mythical narratives 2. “Ibn Sina the Turk”: Early 20th Century Turkish Nationalism, Islam, and the Historiography of Science 3. Science in Utopia: Tommaso Campanella’s City of the Sun in the Thought of Luigi Firpo 4. “Catholics, Natural Science, and National Belonging in Germany, 1830-1914” 5. “John William Draper and ‘Thoughts on the Future Civil Policy of America’” 6. Building a nation. Spanish Engineers in the Science-and-Religion narratives 7. The Education of the Argentine Nation. Positivists and Catholics on Science and Religion 8. Nineteenth-century Mexican nationalism, between liberalism and conservatism: positivism as the force of the nation 9. “Being Orthodox, Greek and modern: Scientists and Theologians in 19th and early 20th century Greece” 10. Between Darwin and Religion. Nation-building and the future of Poland 11. “Serving God, Fatherland, and Language”: Alcover, Catalan, and Science 12. Scientific atheism seen through the lens of historical museums
