Description
Book SynopsisStephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmelthese comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: truthiness satire. He shows how satirists such as Colbert, Bee, Oliver, and Kimmelalong with writers like Charles Pierce and Jack Shaferrely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news rep
Trade Review“Those engaged in research and thinking on “the comic” will find this book a valuable aid.”
—J. C. Jaffe Choice
“Should endure as an important, discerning account of the paradoxical nature of satire, especially in our postmodern media environment.”
—Brian P. O’Sullivan Studies in American Humor
“The book is masterful at bringing together a wide range of thinkers and using their insights to construct an account of satire that allows us to see its new roles and, as Bill Maher might put it, its new rules.”
—Steven Gimbel Philosophy of Humor Yearbook
“Any scholar or student interested in the roles of comic and satiric discourse in twenty-first-century culture will benefit from reading this book. In my own engagements with satire, I will turn to this book first as an authoritative sorting-out of where we are and where we are going.”
—Bruce Michelson,author of Mark Twain on the Loose: A Comic Writer and the American Self
