Description

Book Synopsis
Sara Paretsky is known for her influential V.I. Warshawski series, which transformed the masculine hard-boiled detective formula into a vehicle for feminist values. But Paretsky does more than this. Her novels also illustrate the extent to which detective fiction acts as a literature of trauma, allowing Paretsky to address the politics of agency in ways that go beyond the personal, for trauma always has a social and a political dimension. Paretsky’s work also exploits the way detective fiction mirrors the writing of history. Here, Paretsky uses the form to expose the partiality of historical accounts – whether they be personal, institutional, or national – that authorise ‘forgetting’ of a particularly insidious kind. Significantly, all these issues are explored within the framework of the traditional hard-boiled detective novel. As a result, Paretsky’s achievement forces us to acknowledge the deeply subversive potential of detective fiction.

Table of Contents

Introduction
1. Repositioning the debate
2. Sexual politics and agency
3. Community and empowerment
4. Global capital and marginality
5. Destabilising the status quo
Afterword
Index

Sara Paretsky: Detective Fiction as Trauma

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    Order before 4pm tomorrow for delivery by Mon 15 Jun 2026.

    A Paperback / softback by Cynthia Hamilton

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      View other formats and editions of Sara Paretsky: Detective Fiction as Trauma by Cynthia Hamilton

      Publisher: Manchester University Press
      Publication Date: 29/06/2021
      ISBN13: 9781526156044, 978-1526156044
      ISBN10: 1526156040

      Description

      Book Synopsis
      Sara Paretsky is known for her influential V.I. Warshawski series, which transformed the masculine hard-boiled detective formula into a vehicle for feminist values. But Paretsky does more than this. Her novels also illustrate the extent to which detective fiction acts as a literature of trauma, allowing Paretsky to address the politics of agency in ways that go beyond the personal, for trauma always has a social and a political dimension. Paretsky’s work also exploits the way detective fiction mirrors the writing of history. Here, Paretsky uses the form to expose the partiality of historical accounts – whether they be personal, institutional, or national – that authorise ‘forgetting’ of a particularly insidious kind. Significantly, all these issues are explored within the framework of the traditional hard-boiled detective novel. As a result, Paretsky’s achievement forces us to acknowledge the deeply subversive potential of detective fiction.

      Table of Contents

      Introduction
      1. Repositioning the debate
      2. Sexual politics and agency
      3. Community and empowerment
      4. Global capital and marginality
      5. Destabilising the status quo
      Afterword
      Index

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