Description
Book SynopsisThis book explores representations of same-sex desire in Indian literature and film from the 1970s to the present. In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire.
Trade Review"Oliver Ross brings fresh insight to the debates and texts he examines and undertakes some excellent exegeses of much-analyzed, as well as under-analysed texts. He bravely takes on the current received wisdom that gay identity is 'irremediably Eurocentric'; as he points out, practitioners of queer theory who propound this view exempt queer theory itself from Eurocentricity in a largely unexamined way." - Ruth Vanita, Professor of Liberal Studies, University of Montana, USA and co-editor of
Same-Sex Love in India: Readings from Literature and History
Table of ContentsIntroduction
1. Contradictions or Syncretism? The Politics of Female-Female Desire in Deepa Mehta's Fire and Ligy J. Pullappally's Sancharram (The Journey)
2. "Am I Lesbian?" The Contexts of Female-Female Desire in the Work of Kamala Das
3. "The Bliss I Could Portray": Elliptical and Declamatory Male-Male Desire in the Work of Vikram Seth
4. Communal Tensions: Homosexuality in Raj Rao's The Boyfriend and Neel Mukherjee's A Life Apart
5. Transitional Mediations: Homosexuality in My Brother Nikhil, 68 Pages, and Quest/Thaang
Conclusion
