Description

Who is Samantha McEwen?
Who is this Anglo-American artist born in 1960 in London, about whom Keith Haring declares in one of his interviews: When I arrived in New York, I spent my time at school (School of Visual Arts). Everything was new and exciting. I was 20 years old. In my drawing class, I was immediately drawn to a girl named Samantha McEwen. Samantha remembers: He sat in front of me and said: Can I draw you?'
Who is this artist, still relatively unknown to this day, who also models for Francesco Clemente and Alex Katz? In the 1980s, Samantha McEwen was one of the few women to exhibit twice in the famous Tony Shafrazi Gallery. She also participates in numerous group exhibitions alongside the leading artists of that flamboyant decade.
However, very few texts exist about her work; art critics are mainly men who write about men. In the numerous articles of the art press on these exhibitions, her name is merely mentioned and rarely accompanied by a few lines. A revealing

Samantha McEwen

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Who is Samantha McEwen?Who is this Anglo-American artist born in 1960 in London, about whom Keith Haring declares in one... Read more

    Publisher: Five Continents Editions
    Publication Date: 1/15/2024
    ISBN13: 9791254600597, 979-1254600597
    ISBN10: 9791254600597

    Non Fiction , Art & Photography

    Description

    Who is Samantha McEwen?
    Who is this Anglo-American artist born in 1960 in London, about whom Keith Haring declares in one of his interviews: When I arrived in New York, I spent my time at school (School of Visual Arts). Everything was new and exciting. I was 20 years old. In my drawing class, I was immediately drawn to a girl named Samantha McEwen. Samantha remembers: He sat in front of me and said: Can I draw you?'
    Who is this artist, still relatively unknown to this day, who also models for Francesco Clemente and Alex Katz? In the 1980s, Samantha McEwen was one of the few women to exhibit twice in the famous Tony Shafrazi Gallery. She also participates in numerous group exhibitions alongside the leading artists of that flamboyant decade.
    However, very few texts exist about her work; art critics are mainly men who write about men. In the numerous articles of the art press on these exhibitions, her name is merely mentioned and rarely accompanied by a few lines. A revealing

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