Description

Book Synopsis

Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.



Trade Review

“Authors of this volume are well-known specialists in Russian literature and culture… This collection of essays has considerable cultural and documentary value (a second edition proves this) and may inspire everyone with interesting cultural paradigms and thoughtful observations… [It] raises many crucial issues and opens up new perspectives on research in the mentioned fields.” · Slavic and East European Journal

"Subtle readings and carefully argued interpretations. The articles and manifestoes, supplemented by a valuable 'Who's Who,' answer a great many of the questions associated with postmodernism in general, and the Russian variety in particular." · Slavic Review

"The most up-to-date reference book on Russian postmodernist culture. An important contribution to the growing area of Russian cultural studies." · New Zealand Slavonic Journal-Russian Section

"The most comprehensive examination of Russian postmodern thought available in English." · World Literature Today



Table of Contents

Preface to the 1st edition
Thomas Epstein

Preface to the 2nd edition: Postmodernism and the Explosive Style of the Twenty-First Century
Mikhail Epstein

Introduction: “New Sectarianism” and the Pleasure Principle in Postmodern Russian Culture
Slobodanka Vladiv-Glover

PART I: THE MAKING OF RUSSIAN POSTMODERNISM

Chapter 1. The Dialectics of Hyper: From Modernism to Postmodernism
Mikhail Epstein

Chapter 2. Postmodernism, Communism, and Sots‑Art
Mikhail Epstein

Chapter 3. Representation of the Other in the Literature of the 1960s
Slobodanka Vladiv-Glover

Chapter 4. Perestroika as a Literary Paradigm Shift
Alexander Genis

PART II: MANIFESTOS OF RUSSIAN POSTMODERNISM

Literary Manifestos
Mikhail Epstein

Chapter 5. Theses on Metarealism and Conceptualism (1983)
Chapter 6. On Olga Sedakova and Lev Rubinshtein (1984)
Chapter 7. What is Metarealism? Facts and Hypotheses (1986)
Chapter 8. What is Metabole? On the Third Trope (1986)
Chapter 9. Like a Corpse in the Desert: On the New Moscow Poetry (1987)
Chapter 10. A Catalogue of New Poetries (1987)

Cultural Manifestos
Mikhail Epstein

Chapter 11. Essayism: An Essay on the Essay (1982)
Chapter 12. The Ecology of Thinking (1982)
Chapter 13. Minimal Religion (1982)
Chapter 14. The Age of Universalism (1983)
Chapter 15. The Paradox of Acceleration (1985)

PART III: SOCIALIST REALISM AND POSTMODERNISM

Chapter 16. Archaic Postmodernism: The Aesthetics of Andrei Sinyavsky
Alexander Genis

Chapter 17. Postmodernism and Socialist Realism: From Sinyavsky to Sorokin
Alexander Genis

Chapter 18. Borders and Metamorphoses: Victor Pelevin in the Context of Post-Soviet Literature
Alexander Genis

PART IV: CONCEPTUALISM

Chapter 19. The New Model of Discourse in Post–Soviet Fiction: Liudmila Petrushevskaia and Tatiana Tolstaia
Slobodanka Vladiv-Glover

Chapter 20. Heterogeneity and the Post-Avant-Garde: The Excremental Poetics of Vladimir Sorokin
Slobodanka Vladiv-Glover

Chapter 21. Emptiness as Technique: Word and Image in Ilya Kabakov
Mikhail Epstein

Chapter 22. The Philosophical Implications of Russian Conceptualism
Mikhail Epstein

PART V: POSTMODERNISM AND SPIRITUALITY

Chapter 23. Post-Atheism: From Apophatic Theology to “Minimal Religion”
Mikhail Epstein

Chapter 24. Onions and Cabbages: Paradigms of Contemporary Culture
Alexander Genis

Chapter 25. The Charms of Entropy and New Sentimentality
Mikhail Epstein

Conclusion: On the Place of Postmodernism in Postmodernity
Mikhail Epstein

Select Bibliography
Index of Names
Index of Subjects

Russian Postmodernism: New Perspectives on

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    A Paperback / softback by Mikhail N. Epstein, Alexander A. Genis, Slobodanka Millicent Vladiv-Glover

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      View other formats and editions of Russian Postmodernism: New Perspectives on by Mikhail N. Epstein

      Publisher: Berghahn Books
      Publication Date: Publication Date: 01/12/2015
      ISBN13: 9781782388647, 978-1782388647
      ISBN10: 1782388648

      Description

      Book Synopsis

      Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.



      Trade Review

      “Authors of this volume are well-known specialists in Russian literature and culture… This collection of essays has considerable cultural and documentary value (a second edition proves this) and may inspire everyone with interesting cultural paradigms and thoughtful observations… [It] raises many crucial issues and opens up new perspectives on research in the mentioned fields.” · Slavic and East European Journal

      "Subtle readings and carefully argued interpretations. The articles and manifestoes, supplemented by a valuable 'Who's Who,' answer a great many of the questions associated with postmodernism in general, and the Russian variety in particular." · Slavic Review

      "The most up-to-date reference book on Russian postmodernist culture. An important contribution to the growing area of Russian cultural studies." · New Zealand Slavonic Journal-Russian Section

      "The most comprehensive examination of Russian postmodern thought available in English." · World Literature Today



      Table of Contents

      Preface to the 1st edition
      Thomas Epstein

      Preface to the 2nd edition: Postmodernism and the Explosive Style of the Twenty-First Century
      Mikhail Epstein

      Introduction: “New Sectarianism” and the Pleasure Principle in Postmodern Russian Culture
      Slobodanka Vladiv-Glover

      PART I: THE MAKING OF RUSSIAN POSTMODERNISM

      Chapter 1. The Dialectics of Hyper: From Modernism to Postmodernism
      Mikhail Epstein

      Chapter 2. Postmodernism, Communism, and Sots‑Art
      Mikhail Epstein

      Chapter 3. Representation of the Other in the Literature of the 1960s
      Slobodanka Vladiv-Glover

      Chapter 4. Perestroika as a Literary Paradigm Shift
      Alexander Genis

      PART II: MANIFESTOS OF RUSSIAN POSTMODERNISM

      Literary Manifestos
      Mikhail Epstein

      Chapter 5. Theses on Metarealism and Conceptualism (1983)
      Chapter 6. On Olga Sedakova and Lev Rubinshtein (1984)
      Chapter 7. What is Metarealism? Facts and Hypotheses (1986)
      Chapter 8. What is Metabole? On the Third Trope (1986)
      Chapter 9. Like a Corpse in the Desert: On the New Moscow Poetry (1987)
      Chapter 10. A Catalogue of New Poetries (1987)

      Cultural Manifestos
      Mikhail Epstein

      Chapter 11. Essayism: An Essay on the Essay (1982)
      Chapter 12. The Ecology of Thinking (1982)
      Chapter 13. Minimal Religion (1982)
      Chapter 14. The Age of Universalism (1983)
      Chapter 15. The Paradox of Acceleration (1985)

      PART III: SOCIALIST REALISM AND POSTMODERNISM

      Chapter 16. Archaic Postmodernism: The Aesthetics of Andrei Sinyavsky
      Alexander Genis

      Chapter 17. Postmodernism and Socialist Realism: From Sinyavsky to Sorokin
      Alexander Genis

      Chapter 18. Borders and Metamorphoses: Victor Pelevin in the Context of Post-Soviet Literature
      Alexander Genis

      PART IV: CONCEPTUALISM

      Chapter 19. The New Model of Discourse in Post–Soviet Fiction: Liudmila Petrushevskaia and Tatiana Tolstaia
      Slobodanka Vladiv-Glover

      Chapter 20. Heterogeneity and the Post-Avant-Garde: The Excremental Poetics of Vladimir Sorokin
      Slobodanka Vladiv-Glover

      Chapter 21. Emptiness as Technique: Word and Image in Ilya Kabakov
      Mikhail Epstein

      Chapter 22. The Philosophical Implications of Russian Conceptualism
      Mikhail Epstein

      PART V: POSTMODERNISM AND SPIRITUALITY

      Chapter 23. Post-Atheism: From Apophatic Theology to “Minimal Religion”
      Mikhail Epstein

      Chapter 24. Onions and Cabbages: Paradigms of Contemporary Culture
      Alexander Genis

      Chapter 25. The Charms of Entropy and New Sentimentality
      Mikhail Epstein

      Conclusion: On the Place of Postmodernism in Postmodernity
      Mikhail Epstein

      Select Bibliography
      Index of Names
      Index of Subjects

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