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Book Synopsis

Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought.

N.N. Shneidman, in the tradition of his previous volumes – Soviet Literature in the 1970s; Soviet Literature in the 1980s; Russian Literature, 1988-1994 – investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose. Despite the many challenges besetting it, Shneidman argues convin

Russian Literature 19952002

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    A Paperback / softback by Norman N. Shneidman

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      Book details

      Publisher University of Toronto Press
      Published 15 December 2004
      ISBN-13 9780802086709
      978-0802086709
      ISBN-10 0802086705

      Description

      Book Synopsis

      Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought.

      N.N. Shneidman, in the tradition of his previous volumes – Soviet Literature in the 1970s; Soviet Literature in the 1980s; Russian Literature, 1988-1994 – investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose. Despite the many challenges besetting it, Shneidman argues convin

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