Description
Book SynopsisThis book is the first collection on the British author Rose Macaulay (1881-1958). The essays establish connections in her work between modernism and the middlebrow, show Macaulayâs attentiveness to reformulating contemporary depictions of gender in her fiction, and explore how her writing transcended and celebrated the characteristics of genre, reflecting Macaulayâs responses to modernity. The bookâs focus moves from the interiorized self and the psycheâs relations with the body, to gender identity, to the role of women in society, followed by how women, and Macaulay, use language in their strategies for generic self-expression, and the environment in which Macaulay herself and her characters lived and worked. Macaulay was a particularly modern writer, embracing technology enthusiastically, and the evidence of her treatment of gender and genre reflect Macaulayâs responses to modernism, the historical novel, ruins and the relationships of history and structure, ageing, and the narrative of travel. By presenting a wide range of approaches, this book shows how Macaulayâs fiction is integral to modern British literature, by its aesthetic concerns, its technical experimentation, her concern for the autonomy of the individual, and for the financial and professional independence of the modern woman. There are manifold connections shown between her writing and contemporary theology, popular culture, the newspaper industry, pacifist thinking, feminist rage, the literature of sophistication, the condition of âinclusionaryâ cosmopolitanism, and a haunted post-war understanding of ruin in life and history. This rich and interdisciplinary combination will set a new agenda for international scholarship on Macaulayâs works, and reformulate contemporary ideas about gender and genre in twentieth-century British literature.
Table of ContentsCONTENTS
Acknowledgments
1 Introduction, Kate Macdonald
Part I: The Body and the Mind
2 Hyperaesthesia and futile rage: Gender, anxiety and protest in Non-Combatants and Others, Jessica Gildersleeve
3 The dangerous ages of Rose Macaulay, Cynthia Port
Part II: Public and Private Gender Identity
4 ‘Imprisoned in a cage of print’: Rose Macaulay, journalism and gender, Sarah Lonsdale
5 ‘Mentally neutral’: An improbable tale of gender in Geneva, Juliane Römhild
Part III: Women in Society
6 "Thought is everything": Women’s work in Rose Macaulay’s First World War novels, Melissa Edmundson
7 The domestic modern, the primitive and the middlebrow in Crewe Train, Ann Rea
8 Constructing a public persona: Rose Macaulay’s non-fiction, Kate Macdonald
Part IV: Genre in Language
9 ‘Ghosts of words’: gendering history, language and pleasure in They Were Defeated (1932), Diana Wallace
10 The Towers of Trebizond. Language and the joys and paradoxes of the modern world, Maria Stella Florio
Part V: Landscapes in Genre
11 A catastrophic imagination: Rose Macaulay and the cosmopolitan Pleasure of Ruins, Christina Svendsen
12 Rose Macaulay’s ‘Turkey Book’: The Towers of Trebizond as ironic travelogue,
Lisa Regan
13 Annotated Bibliography of works by and about Rose Macaulay, Kate Macdonald
Works Cited
Index
