Description

Book Synopsis
ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

Table of Contents

Introduction
Robert L. A. Clark

Waits, Other Musicians, and the Performance Tradition (Including Drama) in Early Suffolk
James Stokes

Residual Allegory in Elizabethan Drama: The One-Scene Psychomachia and Arresting the Vice
Alan C. Dessen

Tom Tyler and His Wife: Allegory, Satire, Shrews and Sheep
Dana L. Key and Emma Whipday

Amplificatio in Performance: The Digby Conversion of St. Paul on Stage
Ann Hubert

Kyd, Shakespeare, and Arden of Faversham: A {Belated) Reply to MacDonald Jackson
Brian Vickers

ROMARD Research on Medieval and Renaissance Drama

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    A Paperback / softback by Robert L.A. Clark

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      View other formats and editions of ROMARD Research on Medieval and Renaissance Drama by Robert L.A. Clark

      Publisher: Medieval Institute Publications
      Publication Date: Publication Date: 24/09/2020
      ISBN13: 9780991976041, 978-0991976041
      ISBN10: 991976045

      Description

      Book Synopsis
      ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

      Table of Contents

      Introduction
      Robert L. A. Clark

      Waits, Other Musicians, and the Performance Tradition (Including Drama) in Early Suffolk
      James Stokes

      Residual Allegory in Elizabethan Drama: The One-Scene Psychomachia and Arresting the Vice
      Alan C. Dessen

      Tom Tyler and His Wife: Allegory, Satire, Shrews and Sheep
      Dana L. Key and Emma Whipday

      Amplificatio in Performance: The Digby Conversion of St. Paul on Stage
      Ann Hubert

      Kyd, Shakespeare, and Arden of Faversham: A {Belated) Reply to MacDonald Jackson
      Brian Vickers

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