Description

Book Synopsis
ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

Table of Contents

Introduction
Robert L. A. Clark

Waits, Other Musicians, and the Performance Tradition (Including Drama) in Early Suffolk
James Stokes

Residual Allegory in Elizabethan Drama: The One-Scene Psychomachia and Arresting the Vice
Alan C. Dessen

Tom Tyler and His Wife: Allegory, Satire, Shrews and Sheep
Dana L. Key and Emma Whipday

Amplificatio in Performance: The Digby Conversion of St. Paul on Stage
Ann Hubert

Kyd, Shakespeare, and Arden of Faversham: A {Belated) Reply to MacDonald Jackson
Brian Vickers

ROMARD Research on Medieval and Renaissance Drama

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Order before 4pm today for delivery by Thu 8 Jan 2026.

A Paperback / softback by Robert L.A. Clark

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    View other formats and editions of ROMARD Research on Medieval and Renaissance Drama by Robert L.A. Clark

    Publisher: Medieval Institute Publications
    Publication Date: 24/09/2020
    ISBN13: 9780991976041, 978-0991976041
    ISBN10: 991976045
    Also in:
    Literary studies: c 1400 to c 1600 Literary studies: general Literary studies: plays and playwrights

    Description

    Book Synopsis
    ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

    Table of Contents

    Introduction
    Robert L. A. Clark

    Waits, Other Musicians, and the Performance Tradition (Including Drama) in Early Suffolk
    James Stokes

    Residual Allegory in Elizabethan Drama: The One-Scene Psychomachia and Arresting the Vice
    Alan C. Dessen

    Tom Tyler and His Wife: Allegory, Satire, Shrews and Sheep
    Dana L. Key and Emma Whipday

    Amplificatio in Performance: The Digby Conversion of St. Paul on Stage
    Ann Hubert

    Kyd, Shakespeare, and Arden of Faversham: A {Belated) Reply to MacDonald Jackson
    Brian Vickers

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