Description
Book SynopsisMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.
Mathew Henderson's Roguelike, the much-anticipated follow-up to his acclaimed 2012 debut The Lease, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet's relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.
Though the poems are largely narrative, ultimately Roguelike is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them how we're all moved to shape the disparate and seemingly unconnected events of our lives into s
Trade Review
Striking and evocative . . . At the heart of this powerful book is a longing to gain perspective and move on from a difficult past. * Toronto Star *
The best poetry combines robust language use and meaning, not one at the expense of the other. Roguelike, the sophomore collection from Toronto poet Mathew Henderson, delivers both . . . Henderson is a master craftsman who loads his poems with elegant turns of phrase and meaning . . . Impossible to internalize at one sitting, Roguelike is worthy of multiple readings not just for the story, but for the skill with which the author manipulates energy and storytelling. Roguelike is a hand grenade that never stops exploding. * Quill and Quire *
Henderson has a talent for the strong image, a sharp setup … Throughout the work, games provide a way to cope, a way to center shifting narratives of shelter and escape … This is a collection about loss and mourning, storytelling and mythmaking; about how we cope and how the externalities we use to do so bleed together to form accepted but ultimately shaky notions of the truth. * Temz Review *
