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Book Synopsis
Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power.

Dan Graham's artworks and critical writings have had an enormous influence on the course of contemporary art over the past quarter century. Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power.

Alternating with these theoretical essays are descriptions and documentations of Graham's own works and installations—projects that trace his explorations in conceptual art, video

Rock My Religion Writings and Projects 196590

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    A Paperback / softback by Dan Graham

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      View other formats and editions of Rock My Religion Writings and Projects 196590 by Dan Graham

      Publisher: MIT Press Ltd
      Publication Date: 25/07/1994
      ISBN13: 9780262571067, 978-0262571067
      ISBN10: 0262571064

      Description

      Book Synopsis
      Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power.

      Dan Graham's artworks and critical writings have had an enormous influence on the course of contemporary art over the past quarter century. Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power.

      Alternating with these theoretical essays are descriptions and documentations of Graham's own works and installations—projects that trace his explorations in conceptual art, video

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