Description
Book SynopsisMississippi bluesman Robert Johnson died young and left behind just twenty-nine recorded songs. But the legacy, legends, and lore surrounding him loom large in American music history.
Merging literary analysis with cultural criticism and biographical study, Patricia R. Schroeder explores Johnson''s ongoing role as a cultural icon. Schroeder''s detailed analysis engages key images and myths about the blues musician (such as the Faustian crossroads exchange of his soul for guitar virtuosity). Navigating the many competing interpretations that swirl around him, Schroeder reveals the cultural purposes served by the stories and the storytellers. The result is a fascinating examination of the relationships among Johnson''s life, its subsequent portrayals, and the forces that drove the representations.
Offering penetrating insights into both Johnson and the society that perpetuates him, Robert Johnson, Mythmaking, and Contemporary American Culture is essential reading for blue
Trade Review
Certificate of Merit for Best Research in Recorded Blues by the Association for Recorded Sound Collections (ARSC), 2005.
"Patricia Schroeder's book is intellectually generous and morally acute. She is sensitive both to what is lost when Robert Johnson is disappeared from history into myth, and what is gained when both the man and his work become the common property--the imaginative free field--of all those, like Schroeder herself, who could never have encountered Johnson or his songs in their own place and time."--Greil Marcus
"Patricia Schroeder's masterful study of Robert Johnson touches the virtual and the historical, from websites to short stories, documentary films to recent legends. Venturing well beyond the bluesman's Mississippi home and the records he made in the late 1930s, she shows how our modern world has embraced him as a complex and emblematic figure."--Stephen Wade
Table of Contents
Introduction: Mythologies of Robert Johnson; Robert Johnson as contested space; The invention of the past; The paradox of authenticity; The new cultural politics difference; Virtual Robert Johnson; Conclusion: Robert Johnson, a strange attractor
