Description

Book Synopsis
Richard III is one of Shakespeare's enduring villains as the troubled and troubling figure at the heart of this popular succession drama. Traversing the familiar terrain of scheming plots, proposals, betrayals and kingly power, this edition is presented in an easy to read format with notes for performance and rehearsal by directors and actors. It is edited by academic and director, Abigail Rokison-Woodall and the leading Shakespearean actor, Sir Simon Russell Beale. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Eac

Richard III Arden Performance Edition

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    A Paperback by William Shakespeare

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      View other formats and editions of Richard III Arden Performance Edition by William Shakespeare

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 1/20/2025
      ISBN13: 9781350445772, 978-1350445772
      ISBN10: 1350445770

      Description

      Book Synopsis
      Richard III is one of Shakespeare's enduring villains as the troubled and troubling figure at the heart of this popular succession drama. Traversing the familiar terrain of scheming plots, proposals, betrayals and kingly power, this edition is presented in an easy to read format with notes for performance and rehearsal by directors and actors. It is edited by academic and director, Abigail Rokison-Woodall and the leading Shakespearean actor, Sir Simon Russell Beale. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Eac

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