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Book Synopsis

This book is a restless chronology of works by Australian-born, internationally exhibiting artist Richard Dunn (b. 1944) who explores the contemporary potential of art with full awareness of its modernist heritage. Thinking Pictures includes Dunn's own foreword and notes on his work, providing an insight into his thinking, of which this book is an illuminating, partial archive. It reveals how Dunn's visually seductive and speculative works explore the perception and interpretation of the social and historical context of art.

Dunn uses a variety of materials and formal orientations—photography, realist painting, abstract constructions, filmic montage and digital techniques, installations, light and sound—as strategies to interact with and subvert conventional styles of image-making to reveal something new and current. Dunn seeks to engage us in his exploration of how we perceive the particularities of place, including history, architecture, and ideas, bringing together the personal and the global.

Richard Dunn: Thinking Pictures

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    £999.99

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    A Hardback by Christina Davidson, Anne Marie Freybourg, Pamela Hansford

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      Publisher: Kerber Verlag
      Publication Date: Publication Date: 01/12/2023
      ISBN13: 9783735608598, 978-3735608598
      ISBN10: 3735608590

      Description

      Book Synopsis

      This book is a restless chronology of works by Australian-born, internationally exhibiting artist Richard Dunn (b. 1944) who explores the contemporary potential of art with full awareness of its modernist heritage. Thinking Pictures includes Dunn's own foreword and notes on his work, providing an insight into his thinking, of which this book is an illuminating, partial archive. It reveals how Dunn's visually seductive and speculative works explore the perception and interpretation of the social and historical context of art.

      Dunn uses a variety of materials and formal orientations—photography, realist painting, abstract constructions, filmic montage and digital techniques, installations, light and sound—as strategies to interact with and subvert conventional styles of image-making to reveal something new and current. Dunn seeks to engage us in his exploration of how we perceive the particularities of place, including history, architecture, and ideas, bringing together the personal and the global.

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