Description
Book SynopsisIn this book, eleven essays by leading scholars of music, liturgy, literature, manuscript production and architecture analyse how the medieval arts invited collaborative performances designed to persuade. Using concepts derived from rhetoric to analyse specific examples, the essays show the immense power of those forms of rhetoric which are 'beyond words'.
Trade Review'Mary Carruthers and the contributors to this volume have produced an extraordinary collection of essays, rich and complex with thematic intercon- nections andmany avenues for further exploration … readers will find Carruthers' collection a remarkable resource not only for historical and textual studies, but also for insights into medieval culture, worship, and performance through the art of rhetoric.' Elza C. Tiner, Rhetorica: A Journal of the History of Rhetoric
Table of ContentsEditor's introduction Mary Carruthers; 1. 'Working by words alone': the architect, scholasticism and rhetoric in thirteenth-century France Paul Binski; 2. Grammar and rhetoric in Late Medieval polyphony: modern metaphor or old simile? Margaret Bent; 3. Nature's forge and mechanical production: writing, reading, and performing song Elizabeth Eva Leach; 4. Rhetorical strategies in the pictorial imagery of fourteenth century manuscripts: the case of the Bohun Psalters Lucy Freeman Sandler; 5. Do actions speak louder than words? The scope and role of pronuntiatio in the Latin rhetorical tradition, with special reference to the Cistercians Jan M. Ziolkowski; 6. Vultus Adest (the face helps): performance, expressivity, and interiority Monika Otter; 7. Special delivery: were medieval letter writers trained in performance? Martin Camargo; 8. The concept of ductus, or, journeying through a work of art Mary Carruthers; 9. Ductus and memoria: Chartres Cathedral and the workings of rhetoric Paul Crossley; 10. Ductus figuratus et subtilis: rhetorical interventions for women in two twelfth-century liturgies William T. Flynn; 11. Terribilis est locus iste: the Pantheon in 609 Susan Rankin.
