Description

Book Synopsis
Revelation 19:11-21 is a passage rich in symbol and allusion, much of which proves elusive for interpreters restricting themselves to Old Testament references. However, when Greco-Roman history and mythology are examined, new possibilities are discovered. Revelation 19 in Historical and Mythological Context analyzes the Roman triumph and the Parthian threat as sources for the colorful imagery in Revelation 19, ultimately exploring the Nero redivivus myth as the nexus between the two and a key for unlocking the passage. Paradox and parody are important themes in this technical though theological study of the climax to the drama that is the Apocalypse.

Trade Review
«David Andrew Thomas’s work is fascinating, well-organized, well-researched, and well-argued. It brings new light to some old puzzles on a passage to which commentators (including myself) have often given insufficient attention. Thomas deeply explores proposed backgrounds of Revelation’s imagery, providing further investigation for some and completely new ground for others. By avoiding the fallacy of unnecessary either-ors he achieves a new synthesis that many students of Revelation will find intriguing.» (Craig Keener, Palmer Theological Seminary, Wynnewood, Pennsylvania)

Revelation 19 in Historical and Mythological

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    A Hardback by David Andrew Thomas

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      View other formats and editions of Revelation 19 in Historical and Mythological by David Andrew Thomas

      Publisher: Peter Lang Publishing Inc
      Publication Date: 1/20/2008 12:03:00 AM
      ISBN13: 9781433102523, 978-1433102523
      ISBN10: 1433102528

      Description

      Book Synopsis
      Revelation 19:11-21 is a passage rich in symbol and allusion, much of which proves elusive for interpreters restricting themselves to Old Testament references. However, when Greco-Roman history and mythology are examined, new possibilities are discovered. Revelation 19 in Historical and Mythological Context analyzes the Roman triumph and the Parthian threat as sources for the colorful imagery in Revelation 19, ultimately exploring the Nero redivivus myth as the nexus between the two and a key for unlocking the passage. Paradox and parody are important themes in this technical though theological study of the climax to the drama that is the Apocalypse.

      Trade Review
      «David Andrew Thomas’s work is fascinating, well-organized, well-researched, and well-argued. It brings new light to some old puzzles on a passage to which commentators (including myself) have often given insufficient attention. Thomas deeply explores proposed backgrounds of Revelation’s imagery, providing further investigation for some and completely new ground for others. By avoiding the fallacy of unnecessary either-ors he achieves a new synthesis that many students of Revelation will find intriguing.» (Craig Keener, Palmer Theological Seminary, Wynnewood, Pennsylvania)

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