Description

Book Synopsis
Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters.

Trade Review
The present volume in many ways celebrates and continues Nichols's ideas and influence in the past 25 years, but it does much more than that. As Bloch (French and Romance philology, Columbia Univ.) puts it in his introduction, the essays "contain many elements belonging to the New Philology-an attention to the material conditions of the medieval work, especially to the givens of manuscript culture, a questioning of authorship and authority, an interrogation of the integrity of medieval texts, recognition of the relation between the verbal and the visual."... Nichols's discussion of the challenges and opportunities for new philology in the digital age will be required reading in graduate seminars on digital humanities. Choice The essays ranged here by German and American scholars, in homage to Nichols and his cohort of new materialists, new philologists, new medievalists, are strong and ambitious attempts to revisit the twenty-year-old call for methodological reinvention. Common Knowledge

Table of Contents

Introduction. The New Philology Comes of Age
Chapter 1. New Challenges for the New Medievalism
Chapter 2. Reflections on The New Philology
Chapter 3. Virgil's "Perhaps": Mythopoiesis and Cosmogony in Dante's Commedia (Remarks on Inf. 34, 106–26)
Chapter 4. Dialectic of the Medieval Course
Chapter 5. Religious Horizon and Epic Effect: Considerations on the Iliad, the Chanson de Roland, and the Nibelungenlied
Chapter 6. The Possibility of Historical Time in the Crónica Sarracina
Chapter 7. Good Friday Magic: Petrarch's Canzoniere and the Transformation of Medieval Vernacular Poetry
Chapter 8. The Identity of a Text
Chapter 9. Conceiving the Text in the Middle Ages
Chapter 10. Dante's Transfigured Ovidian Models: Icarus and Daedalus in the Commedia
Chapter 11. Ekphrasis in the Knight's Tale
Chapter 12. Montaigne's Medieval Nominalism and Meschonnic's Ethics of the Subject
Chapter 13. The Pèlerinage Corpus in the European Middle Ages: Processes of Retextualization Reflected in the Prologues
Chapter 14. Narrative Frames of Augustinian Thought in the Renaissance: The Case of Rabelais
Chapter 15. From Romanesque Architecture to Romance
List of Contributors
Index

Rethinking the New Medievalism

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    A Hardback by R. Howard Bloch, Alison Calhoun, Jacqueline Cerquiglini-Toulet

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      View other formats and editions of Rethinking the New Medievalism by R. Howard Bloch

      Publisher: Johns Hopkins University Press
      Publication Date: 25/06/2014
      ISBN13: 9781421412405, 978-1421412405
      ISBN10: 1421412403

      Description

      Book Synopsis
      Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters.

      Trade Review
      The present volume in many ways celebrates and continues Nichols's ideas and influence in the past 25 years, but it does much more than that. As Bloch (French and Romance philology, Columbia Univ.) puts it in his introduction, the essays "contain many elements belonging to the New Philology-an attention to the material conditions of the medieval work, especially to the givens of manuscript culture, a questioning of authorship and authority, an interrogation of the integrity of medieval texts, recognition of the relation between the verbal and the visual."... Nichols's discussion of the challenges and opportunities for new philology in the digital age will be required reading in graduate seminars on digital humanities. Choice The essays ranged here by German and American scholars, in homage to Nichols and his cohort of new materialists, new philologists, new medievalists, are strong and ambitious attempts to revisit the twenty-year-old call for methodological reinvention. Common Knowledge

      Table of Contents

      Introduction. The New Philology Comes of Age
      Chapter 1. New Challenges for the New Medievalism
      Chapter 2. Reflections on The New Philology
      Chapter 3. Virgil's "Perhaps": Mythopoiesis and Cosmogony in Dante's Commedia (Remarks on Inf. 34, 106–26)
      Chapter 4. Dialectic of the Medieval Course
      Chapter 5. Religious Horizon and Epic Effect: Considerations on the Iliad, the Chanson de Roland, and the Nibelungenlied
      Chapter 6. The Possibility of Historical Time in the Crónica Sarracina
      Chapter 7. Good Friday Magic: Petrarch's Canzoniere and the Transformation of Medieval Vernacular Poetry
      Chapter 8. The Identity of a Text
      Chapter 9. Conceiving the Text in the Middle Ages
      Chapter 10. Dante's Transfigured Ovidian Models: Icarus and Daedalus in the Commedia
      Chapter 11. Ekphrasis in the Knight's Tale
      Chapter 12. Montaigne's Medieval Nominalism and Meschonnic's Ethics of the Subject
      Chapter 13. The Pèlerinage Corpus in the European Middle Ages: Processes of Retextualization Reflected in the Prologues
      Chapter 14. Narrative Frames of Augustinian Thought in the Renaissance: The Case of Rabelais
      Chapter 15. From Romanesque Architecture to Romance
      List of Contributors
      Index

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