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Book Synopsis

This study examines the role played by regional cultures in modern art and visual culture in Central Europe between 1918 and 1938.

Analysing paintings, photographs, prints, and illustrated magazines in relation to topics such as tourism, social activism, rural exoticism, gender, and ethnic diversity, the book offers a fresh perspective on Central European art and visual culture. It pays particular attention to Austria, a country often ignored in histories of modernism in Central Europe, yet one where the countryside gained high visibility as a part of modern culture between the wars. Examples from Czechoslovakia and Hungary also play an important role in comparison and challenge the nationally fragmented histories of modernism in the region. The book's approach overall is also relevant beyond Central Europe: it corrects assumptions that modern art and visual culture were at home in the urban space and emphasises the role of the countryside as an agent of renewal and emancipati

Rethinking Modern Austrian Art Beyond the

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    A Hardback by Julia Secklehner

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      Book details

      Publisher Taylor & Francis
      Imprint Taylor & Francis Ltd
      Published 1 February 2024
      ISBN-13 9781032658810
      978-1032658810
      ISBN-10 1032658819
      Also in:
      Dictionaries, Reference & Language History of scholarship

      Description

      Book Synopsis

      This study examines the role played by regional cultures in modern art and visual culture in Central Europe between 1918 and 1938.

      Analysing paintings, photographs, prints, and illustrated magazines in relation to topics such as tourism, social activism, rural exoticism, gender, and ethnic diversity, the book offers a fresh perspective on Central European art and visual culture. It pays particular attention to Austria, a country often ignored in histories of modernism in Central Europe, yet one where the countryside gained high visibility as a part of modern culture between the wars. Examples from Czechoslovakia and Hungary also play an important role in comparison and challenge the nationally fragmented histories of modernism in the region. The book's approach overall is also relevant beyond Central Europe: it corrects assumptions that modern art and visual culture were at home in the urban space and emphasises the role of the countryside as an agent of renewal and emancipati

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