Description
Book SynopsisThis volume sets out to re-imagine the theoretical and epistemological presuppositions of existing scholarship on identities. Despite a well-established body of scholarly texts that examine the concept from a wide range of perspectives, there is a surprising dearth of work on multiple, heterogeneous forms of identity. Numerous studies of ethnic, linguistic, regional and religious identities have appeared, but largely in isolation from one another.
Rethinking ‘Identities’ is a multi-authored project that is original in providing – in distributed and granular mode – a hyper-contemporary and wide-ranging applied analysis that questions notions of identity based on nation and region, language, ethnicity, gender, sexuality, religion or even ‘the human’. The volume achieves this by mobilizing various contexts of identity (gender, ethnicity, sexuality, nation) and medium (art, cinema, literature, music, theatre, video). Emphasizing the extreme contemporary (the twenty-first century) and the challenges posed by an increasingly global society, this collection of essays builds upon existing intellectual investigations of identity with the aim of offering a fresh perspective that transcends cognitive and geographical frontiers.
Table of ContentsContents: Lucille Cairns: Post-Feminist Pornographication or Pro-Sex Feminism? Queer Performativity in the Work of Two French Female Artists – Doris Leibetseder: Fem(me) Tracks: Queer Fem(me)inist Strategies of Resistance in Rock and Pop Music, from Angie Reed to Denice Fredriksson – Santiago Fouz-Hernández/Adrián Gras-Velázquez: Screening Chueca: Marking the Queer Territory in Spanish Cinema of the 2000s – Florian Grandena: From the Sublimated Anus to the Desublimating Hand: An Intersectional Discussion of Work and Homosexuality in French Gay Cinema – Andy Byford: Performing ‘Community’: Russian Speakers in Contemporary Britain – Alfredo Martínez-Expósito: Branding the Nation: Resistance and Authenticity in García Berlanga’s
París-Tombuctú – Diego Santos Sánchez: Performing Nationhood: Theatre and Heterodox Identities in (Multi)National Spain – Kerstin Oloff: Towards the World-Zombie: The Monstrous, the ‘Human’ and the Dominican-Haitian Frontier in Pedro Cabiya’s
Malas hierbas (2010) and Junot Díaz’s ‘Monstro’ (2012) – Christopher Lloyd: Redrawing the Boundaries of the Human: Automata, Androids and Clones from Hoffmann to Houellebecq.
