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Book Synopsis
Redefining curatorial practice for those working with new kinds of art.

As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media art involves interactivity, networks, and computation and is often about process rather than objects. New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology and present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. It helps curators of new media art develop a set of flexible tools for working in this fast-moving field, and it offers useful lessons from curators and artists for those working in such other areas of art as distributive and participatory systems.

The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illust

Rethinking Curating Art After New Media Leonardo

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    A Paperback / softback by Beryl Graham, Sarah Cook, Steve Dietz

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      View other formats and editions of Rethinking Curating Art After New Media Leonardo by Beryl Graham

      Publisher: MIT Press Ltd
      Publication Date: Publication Date: 21/08/2015
      ISBN13: 9780262528429, 978-0262528429
      ISBN10: 0262528428

      Description

      Book Synopsis
      Redefining curatorial practice for those working with new kinds of art.

      As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media art involves interactivity, networks, and computation and is often about process rather than objects. New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology and present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. It helps curators of new media art develop a set of flexible tools for working in this fast-moving field, and it offers useful lessons from curators and artists for those working in such other areas of art as distributive and participatory systems.

      The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illust

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