Description

Book Synopsis
Resisting Rape Culture through Pop Culture: Sex After #MeToo provides audiences with constructive models of affirmative consent, tender masculinity, and pleasure in popular culture that work to challenge toxic dominant and hegemonic constructions. While numerous scholars have illustrated the many ways mediated culture shape social understandings of sexual violence, this book analyzes texts that might serve to resist rape culture. This project locates how these texts manufacture cinematic or televisual narratives and in turn work to create new realities that encourage cultural and social change. Kelly Wilz analyzes the ways in which we, as a culture, tend to understand sex through visual media and dominant cultural myths, while highlighting productive texts which might serve as a possible corrective to the ways in which sex is ritualized by rules that legitimize violence. Through the lens of productive criticism, Wilz examines how language and dominant ideologies around rape culture and

Trade Review

Resisting Rape Culture through Pop Culture is a powerful examination of the ways in which popular culture can offer resistance to dominant culture by offering positive representations of masculinity and sexuality. Scholars of popular culture, media studies, critical cultural studies and women's and gender studies will find this book useful not only in the way that it engages the wealth of literature relevant to the #MeToo movement, but also in the way that it advocates for representation as a means of resistance.

* The Journal of Popular Culture *
Now that #MeToo has shone a harsh light on the dark side of sex in America, we need pathways out of the shadows. Resisting Rape Culture Through Pop Culture: Sex After #MeToo sets us on our feet. Centering pop cultural examples that model healthy, equitable, and consensual sexualities, it not only shows us the way; it reveals—blessedly—that we’re already well on it. -- Lisa Wade, Occidental College
Now that the #MeToo Movement has saturated our culture, there's work to be done to dismantle the systems that created the need for the movement in the first place. In Resisting Rape Culture through Pop Culture: Sex After #MeToo, Kelly Wilz makes her case and provides new, positive models for how we can move forward from here. Through the mediated texts she considers, Wilz shows us visions of a future that include supporting survivors of sexual violence and healthy approaches to consent, pleasure, and masculinity. It's a future I'd very much like to reach. -- Molly Ann Magestro, Miles Community College

Table of Contents
Chapter 1: Models of Affirmative Consent in 13 Reasons Why

Chapter 2: Tender Masculinity in Queen Sugar and Man Enough

Chapter 3: Intimate Justice via Centering Women’s Pleasure in Blockers

Chapter 4: Rehumanization in I Am Evidence

Conclusions: Imagining Survivor Centered Justice

Resisting Rape Culture through Pop Culture

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    Order before 4pm tomorrow for delivery by Tue 23 Jun 2026.

    A Paperback by Kelly Wilz

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      Publisher: Lexington Books
      Publication Date: 1/15/2021 12:06:00 AM
      ISBN13: 9781498588706, 978-1498588706
      ISBN10: 1498588700

      Description

      Book Synopsis
      Resisting Rape Culture through Pop Culture: Sex After #MeToo provides audiences with constructive models of affirmative consent, tender masculinity, and pleasure in popular culture that work to challenge toxic dominant and hegemonic constructions. While numerous scholars have illustrated the many ways mediated culture shape social understandings of sexual violence, this book analyzes texts that might serve to resist rape culture. This project locates how these texts manufacture cinematic or televisual narratives and in turn work to create new realities that encourage cultural and social change. Kelly Wilz analyzes the ways in which we, as a culture, tend to understand sex through visual media and dominant cultural myths, while highlighting productive texts which might serve as a possible corrective to the ways in which sex is ritualized by rules that legitimize violence. Through the lens of productive criticism, Wilz examines how language and dominant ideologies around rape culture and

      Trade Review

      Resisting Rape Culture through Pop Culture is a powerful examination of the ways in which popular culture can offer resistance to dominant culture by offering positive representations of masculinity and sexuality. Scholars of popular culture, media studies, critical cultural studies and women's and gender studies will find this book useful not only in the way that it engages the wealth of literature relevant to the #MeToo movement, but also in the way that it advocates for representation as a means of resistance.

      * The Journal of Popular Culture *
      Now that #MeToo has shone a harsh light on the dark side of sex in America, we need pathways out of the shadows. Resisting Rape Culture Through Pop Culture: Sex After #MeToo sets us on our feet. Centering pop cultural examples that model healthy, equitable, and consensual sexualities, it not only shows us the way; it reveals—blessedly—that we’re already well on it. -- Lisa Wade, Occidental College
      Now that the #MeToo Movement has saturated our culture, there's work to be done to dismantle the systems that created the need for the movement in the first place. In Resisting Rape Culture through Pop Culture: Sex After #MeToo, Kelly Wilz makes her case and provides new, positive models for how we can move forward from here. Through the mediated texts she considers, Wilz shows us visions of a future that include supporting survivors of sexual violence and healthy approaches to consent, pleasure, and masculinity. It's a future I'd very much like to reach. -- Molly Ann Magestro, Miles Community College

      Table of Contents
      Chapter 1: Models of Affirmative Consent in 13 Reasons Why

      Chapter 2: Tender Masculinity in Queen Sugar and Man Enough

      Chapter 3: Intimate Justice via Centering Women’s Pleasure in Blockers

      Chapter 4: Rehumanization in I Am Evidence

      Conclusions: Imagining Survivor Centered Justice

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